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              5973 Archival description results for Printed document

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              UGA T/T30/1/4/5 (1-2) · Item · 1995-2003
              Part of Theatre

              Files of letters and invoices relating to finances and costs, income, and expenditure incurred by The Theatreworks Company.

              File 1 - T30/1/4/5/1 - Letters and invoices dating 1999 - 2001 relating to finances of The Theatreworks Company. Includes invoices relating to production of 'The Fetishist' (1995); invoices for workshops and classes taught by Michael Caven; adverts for production of 'Venus and Adonis' (Oct 1996); sponsorship for Troilus and Cressida by William Shakespeare (Nov 1997), letter from Francis Thackaberry of the Samuel Beckett Centre with details of cheque of Box Office takings (Apr 1999), invoices for payments owed for use of Beckett Centre Theatre by Theatreworks (1998), cost of hire of DU Players facilities (1998); advert fee for and sponsorship for "Anna Karenina" (1998); invoice for Shakespeare voice workshops (1999), fees and costs related to production of 'Richard III' and related invoices and costs.

              File 2 - T30/1/4/5/2 - Letters and Invoices relating to finances of The Theatreworks Company. Includes invoices relating to Michael Caven as director, invoices for rent of Damer Hall by use by the company, costs and contract agreements with Theatreworks company staff members, fees for workshops delivered, fees for production of "Macbeth" in association with Second age Theatre Company.

              UGA T/T30/1/5/2 · Item · 1995-2003
              Part of Theatre

              File of production budgets and production Income and Expenditure Accounts specifically for productions by The Theatreworks, specifically "The Fetishist" (1995), "Venus and Adonis" (1996), "Troilus and Cressida" (1997), "Anna Karenina" (1998), "Mutabilitie" (2000), "Richard III" (2001), "Tales from Ovid" (2002).
              Venue contract with the Samuel Beckett Theatre, Dublin for use in production (Sep 1997); contract made between The Theatreworks and Second Age Theatre Company regarding co-production of "Macbeth" (30 Jan 2003)

              UGA T/T30/1/1/2 (1-3) · Item · 1995-2004
              Part of Theatre

              Files of minutes of meetings, meeting agendas, correspondence and budget finance documents, including company budgets and accounts, from meetings of Board of Directors of The Theatreworks Company; "Summary of Vision Process report (2002 -2003); Company manager and Administrator Job Spec; "Theatreworks - A Brief Introduction"; Statement of company vision for Theatreworks, by [Michael Caven].
              Files cover the time periods as follows:

              T30/1/1/2 (1) 1995 - 2002

              T30/1/1/2 (2) 2003

              T30/1/1/2 (3) 2004

              UGA T/T30/1/4 · Series · 1995-2003
              Part of Theatre

              Files of documents relating to administration, finances and operation of The Theatreworks, including bank account statements, annual accounts, invoices and related files. Also general company correspondence regarding administration, sponsorship, production planning - letters generally to Michael Caven, Artistic Director of Theatreworks.

              UGA T/T30/1/1/1 · Item · 09/1995-10/1995
              Part of Theatre

              File of company registration forms for The Theatreworks Company. Company name adapted as of 26 Sep 1995, forms stamped on date 10 Oct 1995, receipt for payment of registration fee, forms signed by Michael Caven, Ann O'Farrell, and Brian Singleton. Letter to Michael Caven from Herman Good, Wine, Stokes, and Jay Solicitors regarding proposed work.
              File also includes headed company paper with The Theatreworks branding.

              The Third Policeman
              UGA T/T22/1/20/29 · Item · 2008
              Part of Theatre

              Printed programme from Blue Raincoat theatre company production of Flann O'Brien's "The Third Policeman", adapted by Jocelyn Clarke. Includes forward from Malcolm Hamilton and Niall Henry; article entitled "Flann O'Brien: A Portrait of the Artist as a Young Post-Modernist" by Keith Hopper; a note on the history of Blue Raincoat, a note on Jocelyn Clarke and biographies of cast members.