Printed programme detailing all upcoming events and productions as part of the 2007 Dublin Theatre Festival.
Printed document
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Printed programme from production of "James, Son of James", presented by Fabulous Beast Dance Theatre and the Ulster Bank Dublin Theatre Festival by Fabulous Beast dance company, held at the Samuel Beckett Theatre, Dublin and directed by Michael Keegan-Dolan. Includes an article on Fabulous Beast Dance Theatre by Manchán Magan; an interview with Keegan-Dolan on the production and also images and biographies of cast members.
Printed programme from production of "The Idiots" by Pan Pan Theatre Company, written by Lars Von Trier and staged at the Project Arts Centre. Includes article "From Ethics to Aesthetics: Gavin Quinn in conversation with Sara Keating; article "Changing Places: Pan Pan's "The Idiots" in context" by Rod Stoneman and also images and biographies of cast and creative team members.
Printed programme from Dublin Theatre Festival double-bill of works by Sits Theatre Company, "Radio Macbeth" and "bobrauschenbergamerica", both staged at the Project Arts Centre, Dublin. Includes article "A singular vision: bobrauschenbergamerica"; a dramaturgical note on "Radio Macbeth" a director's note for same from Anne Bogart; article "Anne Bogart, Charles Mee and Siti" by Scott. T. Cummings and also includes an article of "Festival Memories" being 6 personal reflections on memories from the history of the Dublin Theatre Festival from Ronan Smith. Also includes images and biographies of cast and creative team members.
Printed programme from double-bill of productions at the Dublin Theatre Festival from Krétakor Theatre and staged at the O'Reilly Theatre, Dublin. "BLACKland" was directed by Árpád Schilling and devised by extensive (and listed) group of people. "The Seagull" was written by Anton Chekhov and also directed by Schilling. Includes articles "Black, Black, Black World", excerpts from "BLACKland" rehearsal diary by Anna Veress; article "Chekhov's 'The Seagull'" by Lisa FitzPatrick; "Completing the Circle: Krétakor and Hungarian Theatre" by Anna Lengyel; "Festival Memories" by Lewis Clohessy on past memories of the Dublin Theatre Festival.
Printed programme from Katona Jòsef theatre production of "Ivanov" written by Anton Chekhov at the O'Reilly Theatre, Dublin and as part of the Dublin Theatre Festival. Includes article "Where History Has Been Written: the Budapest Katona József Theatre" by Anna Lengyel; a note from director Tamàs Ascher; article by Ros Dixon entitled "A Russian Hamlet? Chekhov's 'Ivanov' in context"; "Festival Memories" being an article on personal memories from the Dublin Theatre Festival, by Tony Ó'Dálaigh. Also includes images and biographies of cast members.
Printed programme from "the Pride of Parnell Street" written by Sebastian Barry and produced by Fishamble Theatre Company, staged at the Tivoli Theatre, Dublin as part of the Dublin Theatre Festival. Directed by Jim Culleton. Articles include "Justice and Accountability: the Pride of PArnell Street and AMnesty International's Global Campaign to Stop Violence Against Women"; "All Raw in the Wind" - Sebastian Barry in Conversation with Helen Meany. Also includes images of cast and creative team members.
Printed programme from the National Theatre London production of "the History Boys" by Alan Bennett and directed by Nicholas Hytner, staged at the Olympia Theatre as part of the Dublin Theatre Festival. Articles include "On False Pretences" by Alan Bennett; "True Confessions of a History Boy" by Simon Schama; "Festival Memories" being personal memories on the Dublin Theatre Festival, from Hugh Leonard.
Printed programme from productions at the Dublin Theatre Festival of "The Grand Inquisitor', from 'The Brothers Karamazov' by Dostoyevsky and by Théâtre des Bouffes du Nord and also production of "Fragments - Rough for Theatre I, Rockaby, Act Without Words II, Neither, Come and Go" by C.I.C.T./Théâtre des Bouffes du Nord, Paris and Millbrook Productions in a co-production with the Young Vic Theatre, London. written by Samuel Beckett and directed by Peter Brook. Includes Director's Note by Brook; article "Beckettian Fragments" by Sinead Mooney; "Miracle and Mystery" - the Grand Inquisitor"; "Filling the Contemporary Space: The Career of Peter Brook" by Brian Singleton; "Festival Memories" a series of personal reflections on memories from the Dublin Theatre Festival - Ronan Smith. Also includes images and biographies of cast and creative team members.