Files of letters and invoices relating to finances and costs, income, and expenditure incurred by The Theatreworks Company.

File 1 - T30/1/4/5/1 - Letters and invoices dating 1999 - 2001 relating to finances of The Theatreworks Company. Includes invoices relating to production of 'The Fetishist' (1995); invoices for workshops and classes taught by Michael Caven; adverts for production of 'Venus and Adonis' (Oct 1996); sponsorship for Troilus and Cressida by William Shakespeare (Nov 1997), letter from Francis Thackaberry of the Samuel Beckett Centre with details of cheque of Box Office takings (Apr 1999), invoices for payments owed for use of Beckett Centre Theatre by Theatreworks (1998), cost of hire of DU Players facilities (1998); advert fee for and sponsorship for "Anna Karenina" (1998); invoice for Shakespeare voice workshops (1999), fees and costs related to production of 'Richard III' and related invoices and costs.

File 2 - T30/1/4/5/2 - Letters and Invoices relating to finances of The Theatreworks Company. Includes invoices relating to Michael Caven as director, invoices for rent of Damer Hall by use by the company, costs and contract agreements with Theatreworks company staff members, fees for workshops delivered, fees for production of "Macbeth" in association with Second age Theatre Company.

File of correspondence between Michael Caven, Artistic Director, The Theatreworks, and Jack Gilligan, Arts Officer, Dublin Corporation, including funding applications by Theatreworks, letters discussing work of the company, grant applications submitted, remittance slips and notice of grants made from Dublin Corporation.

Correspondence relating to company administration, planning, sponsorship, and general work by Theatreworks. Includes letters to Michael Caven from some audience members with comments and feedback on plays by Theatreworks; info sheet from the Irish Times ESB Theatre Bursary Scheme; Ruth Arnaud of Casarotto and Ramsay Associates Ltd. re. royalties for production of "Mutabilitie" by Frank McGuinness (25 Oct 2001); The British Council re. funding for "Richard III" (25 Jul 2001); Letters to Brian Singleton, Chair of Theatreworks, re. funding award to the company from Dept of Foreign Affairs (27 Apr 2001); Business to Arts awards and schemes; brochure with venue info on the O'Reilly Theatre, Belvedere, Dublin; Letter from Monica Ennis on Riverdance company headed paper enclosing brochure about Abhann Costume Hire (12 Nov 2001); with various re. Friends of Theatreworks scheme (2000); Info sheet about the ESSO 43rd All Ireland Amateur Drama Festival; Cothú Business Council for the Arts (2000)PACT@ Temple bar - Aberystwyth; Ali Curran Festival Director, Dublin Fringe; Jane Daly, The Theatre Shop (31 Aug 2000); Invitation to the 2000 Irish Times ESB Irish Theatre Awards; students of Inchicore College of Further Education, Dublin (30 Jan 2001); Brendan O'Shea, Arts Officer, Kiltimagh Town Hall Theatre, Mayo (10 Jan 2002); Norma Leen, Irish Theatre Magazine re subscription (2002); Letter from school student, Dann Colley seeking work experience (Jul 2002); overview slides from presentation about Theatre Forum; Letter of interest from Eileen Costello of Garage Theatre, Monaghan (17 Apr 2002); Michael Cavan to Bríd Dukes, Civic Theatre, Tallaght; Minutes from Meeting to discuss the Equity Minimum Rate (24 Jan 2002) held at the Gaiety Theatre, Dublin. Emails between Michael Caven, Elaine Sisson, and Denis Conway discussing the administration and future artistic and strategic direction of the company (2002); letters from audience members and feedback re. "Tales from Ovid" (2002).
Series of letters and documents re. The use of the Damer Hall, Dublin, as a base by Theatreworks. Includes document titled "Damer Fiasco - Chronology", letters re. same, and copy of presentation made to the Management Committee of the Unitarian Church, St. Stephen's Green, Dublin - "The Case for Selecting the Theatreworks as new tenant of The Damer Hall. (14 July 2003).

Correspondence relating to company administration, planning, sponsorship, and general work by Theatreworks. Includes letters to Michael Caven from Pact @ - Temple Bar Dublin and Aberystwyth Wales (1999); Centre Stage Agency, Dublin; playwright Michael West (1999) re. adaptation of Anna Karenina; Irish Travel Agents Association; The Theatre Shop, Dublin, 1999; Tim [Casey] re. Shakespeare adaptation; Black Box Theatre Company production of Kafka's "The Trial" (Sep 1999); Aer Lingus re. travel and sponsorship arrangement ( Mar 1999 - Sep 1999); Ad for Production Manager role for "Mutabilitie" by Frank McGuinness, produced by The Theatreworks; Letters to Casarotto Ramsay Ltd. re. rights for "Mutabilitie" production (Jul 1999); Prof. Denis Kennedy re. use of theatre at Samuel Beckett Centre for production of "Anna Karenina" (Jan 1999); Letter from Patrick Sutton, Gaiety School of Acting sending congratulations on production of "Anna Karenina" to Caven (10 Sep 1998); Letter from Irish Actors' Equity Group (24 Sep 1998); Fiach Mac Conghail at Project Arts Centre (21 Jan 1998); DU Players re. hire of facilities (30 Jan 1998); Una Carmody of Temple Bar Properties re. hire of space by Caven (21 Apr 1998)

Correspondence relating to company administration, planning, sponsorship, and general work by Theatreworks. Includes letters to Michael Caven from audience members with praise and feedback on productions including "Troilus and Cressida" by William Shakespeare"; Letter from Fergus Linehan, Dublin Theatre Festival re programming proposal (Feb 1997); Letters re. sponsorship from Cadbury Ireland, Associated Insurance Management, Mobil Oil Ireland, Irish Distillers Limited, An Post, Norwich Union, Allied Irish Bank, First National Building Society, IFS Ireland, Irish League of Credit Unions, Jurys Hotel Group, Guinness Ireland Group, Dunnes Stores, Electricity Supply Board, British Embassy Dublin, Tile Style Limited, Bord Gáis, Pfizer, Doyle Hotel Group, Ulster Bank Markets, Telecom Eireann, Bord Fáilte, The British Council, Bank of Ireland, Guinness Ireland, Ocean, Eircell, Eagle Star Insurance, Veronica Sutherland, British Ambassador to Ireland, Esat Digifone, Conrad International, Merrill Lynch.
Letters from Caben to Fiach Mac Conghail at Project Arts Centre; to Tom Maguire, Helen Meaney (discussing criticism and reviewing in Ireland and of "Troilus and Cressida by Theatreworks in particular, and of the status/reception of Shakespeare's plays in Ireland), to Fintan O'Toole, photocopy of article from The Phoenix Magazine re. controversy surrounding David Nowlan's review of "The Secret Fall of Constance Wilde" by Thomas Kilroy at the Abbey Theatre; Series of letters with various businesses as part of a 'Partnership Scheme' led by Theatreworks, for sponsorship of production of "Troilus and Cressida" (1997).

Correspondence relating to company administration, planning, sponsorship, and general work by Theatreworks. Includes letters to Michael Caven from Embassy of France in Ireland with cheque of sponsorship for production of "The Fetishist" (22 Nov 1995); letter from Patrick Mason, Artistic Director, Abbey Theatre Dublin, responding invitation to "The Fetishist" (27 Sep 1995) and "Venus and Adonis" (9 Oct 1996); Letters with Allied Irish Bank, Dunnes Stores, Shakespeare's Globe Theatre, Dublin Chamber of Commerce, the IFSC Dublin; CityJet; Airbus Finance company, British Midland, Irish Ferries, Coca Cola, all re. sponsorship; Harold Fish of the British Council re. Caven's Irish premiere of 'Venus and Adonis' (1996)

File 2 includes correspondence between Michael Caven and Jimmy Fay (Director of Dublin Fringe) inviting Theatreworks to be part of Dublin Fringe in 1996 with a production of "Venus and Adonis", other letter discuss the scheduling of the production within the festival, and also letters about the choice of venue and slot available at the Beckett Theatre, Trinity college Dublin. 1996.

Box office returns and breakdown of tickets for Theatreworks productions of "Anna Karenina" (1998); "Richard III" (Sep 2001), and "Tales from Ovid" (Sep 2002).

File of bank statements from current account of Theatreworks, held at Allied Irish bank (AIB).

File with audited annual accounts at year end for The Theatreworks for years 2000, 20002, and 2003.
For more annual accounts/budgets/income and expenditure accounts see Board of Directors files and production budget files.

File of annual tax return certificates of The Theatreworks Company for years 1999 - 2003.