File includes agenda of production/design meetings (7 Apr) with comment on set design, props. costumes, lighting, sound etc.; Production memo of notes re. production (29 Mar and 18 Apr and other various dates) Production schedule for Royal Court production; stage technical plans for Town Hall Theatre, Galway; provisional props list for the play'; fax copies of draft stage and set plans (17 Mar) from Tony Walton; list of setting props for each act; Props used in the play such as £50 punt notes, contracts of indenture and draft bank cheques; lists of props and costumes for each character; Print-outs of photographs taken for research in design of the set for the play, such as images of ruined cottages and crumbling mansions, comments such as "research for wall and textures' are noted on images. Technical schedules, 'get-in' timelines and stage manager's cue sheets included.

Printed documents regarding the design and working of the lighting work for production of "On Raftery's Hill" by Marina Carr and directed by Garry Hynes.
File 1-5 include lighting plans, plans and drawings of lighting rigs in various theatre venues such as Town Hall Theatre, Galway, Royal Court Theatre London and Gate Theatre, Dublin. Other items include cue lists, group plans, channel information, patch plans, light stencils used to project effects onto the stage and set.

Files related to the production, administration and staging of "The Hackney Office" by Michael Collins.

File includes set design and stage management plans and information for production of "The Hackney Office". Includes props list and inventory, plans of lighting and stage design, notes of staff meetings concerning set design and 'get-out' schedule post-production, sketches and drawings of stage set and other such material related to design and staging of the production.

File includes correspondence between Druid Theatre staff, Michael Collins (playwright) and others concerning the planning and arrangements for the impending production of "The Hackney Office" by Michael Collins. Includes letter from Collins to Druid detailing suggested changes and modifications to the play; letters from Druid to various international festivals seeking dates for upcoming festival dates and plans; correspondence about production plans for the play in Ireland and suggested dates and venues. Also includes budgetary and financial planning for the Irish touring production of the play.

File includes email and fax correspondence between Druid staff, notably Ciara Ni Shulleabháin, with others including publicity, advertising and programme design plans for "The Spirit of Annie Ross". Also includes correspondence regarding travel and accommodation for cast and company members involved in the play.

File includes various versions and drafts of set designs and plans for design of set of "The Spirit of Annie Ross" by Bernard Farrell and directed by Garry Hynes. Other records include storage management running lists, prop research, set design research, wardrobe lists; character prop/costume information, images of prop research, lighting and sound design plans and other such records as cues and backstage effects. Production schedule also included. Notes from production meeting, 11 May 2001, also included.

Files of production records relating to "The Lonesome West" at Druid Lane Theatre, Galway, (14 Jul 2001), Gaiety Theatre, Dublin (2 Aug - 29 Sep 2001) and Town Hall Theatre, Galway (2 Oct - 6 Oct 2001) A Co-Production with the Royal Court Theatre, London.

Minutes of pre-production meeting of "The Lonesome West" co-production, held at the Gaiety Theatre, Dublin. Includes names of attendees and agenda items with points and actions discussed per agenda, relating to schedule, budget, technical, design, sound, props, lighting, rehearsals and other information.

Files of documents relating to the stage management of "The Lonesome West" as produced by Druid Theatre and with the Royal Court Theatre, London, directed by Garry Hynes. Files include lighting plots and technical specification of venues at The Town Hall Theatre, Galway and for the Gaiety Theatre, Dublin. Lighting cues and drawings provide detailed overview of lighting of the play; stage management items include prop lists, stage running schedule and lists, props setting list, costume list with costume information for each character, drawings of the stage and set elements; changes and alterations made to original "Beauty Queen" set; and channel list of sound plan for transition of "Beauty Queen" into "Lonesome West". Sound design and audio cue sheets.