File of theatre programmes from plays produced at the Eblana Theatre, Dublin, located at the basement of Busáras Bus Station. Programmes were collected by Carolyn Swift. Programmes include: Old World by Alexey Arbuzov, Domino Productions (Chloe Gibson); Mr. Joyce is Leaving Paris by Tom Gallacher; Loot by Joe Orton and Amalgamated Artists Productions; What the Butler Saw by Joe Orton and Amalgamated Artists Productions; American Buffalo by David Mamet and Dublin Stage 1 Theatre; Look Back in Anger by John Osborne and Amalgamated Artists Productions; The Second Last Straw by Lee Dunne and Ballyshane Productions; Nora Barnacle by Maureen Charlton; Staircase by Charles Dyer and directed by Frank Bailey with Amalgamated Artists Productions; The Rose Tattoo by Tennessee Williams (Orion Productions, 16 Jul 1962); An Evening With Brendan Behan devised by Carolyn Swift and by Orion Productions with C.N.K. Productions, 22 Oct 1962) and later transfer to the Gate theatre Dublin. True West by Sam Shepard (Irish Premiere) Red Rex Theatre Company; Winter Journey by Clifford Odets and Art Theatre Productions; Mr Wonderful MCP by Livia Rowan and De Vere Productions; Triple Bill - Doesn't Anyone Remember Murphy by John Quinn - Prelude and Fugue by Clifford Bax - Partly Furnished by Barry L. Hillman - Dublin Theatre Festival and O.Z. Whitehead; The Flip Side by Hugh and Margaret Williams and Amalgamated Artists Productions; Do You Know the Milky Way by Karl Wittlinger; Hughie by Eugene O'Neill and All Gods Die On Friday by Michael McDonnell; Dusa Fish Stas and Vi by Pam Gems directed by Agnes Bernelle and Amber Productions; Luv by Murray Schisgal and Amalgamated Artists Productions; The Joslyn Circle by Harding Lemay; Not With a Bang by Kevin Casey and Elmar Productions; A Scent of Flowers by James Saunders and Amalgamated Artists Productions; The Only Street by Tom Gallacher; The Lamb in the Mirror by Owen Quinn and Liffey Theatre Productions; Triple Bill - A Tale After School by James Douglas - Part of the Main - The Crying Room by Patrick Gilligan with Amalgamated Artists Productions (1969); Ladies Night - Women Writing About Women by Mary Gallagher, Jane Martin, and Ara Watson and from the Actors Theatre of Louisville, Kentucky Watershed by G.P. Gallivan and 66 Theatre Company; Pas De Deux by Hugo Claus (1990s).

File of theatre programmes from plays at the Gaiety Theatre, Dublin, and collected by Carolyn Swift. Programmes include: Gigi by Frederick Loewe and Alan J. Lerner and Rathmines and Rathgar Musical Society (1978); The Pleasuure of His Company by Samuel Taylor (1976); The Prisoner of Second Avenue by Neil Simon (1973); The Odd Couple by Neil Simon and Eamon Andrews Studio; Laugh, But Listen Well by William Chappell and William Morrison; Relatively Speaking by Alan Ayckbourn and Eamon Andrews Studio and Old Quay Productions (1969); After the Fall by Arthur Miller; Beginning to End - works by Samuel Beckett and Jeanette by Maurice Kurtz (1972); Man and Superman by Bernard Shaw (1969); That Championship Season by Jason Miller; One Flew Over the Cuckoo's Nest by Dale Wasserman (1979); The Erpingham Champ and Funeral Games by Joe Orton with Irish Theatre Company (1979); Borstal Boy by Brendan Behan (1987); Death of a Salesman by Arthur Miller; Some of My Best Friends are Husbands by Hugh Leonard; Brighton Beach Memoirs by Neil Simon; Juno and the Paycock by Sean O'Casey with Siobhán McKenna, Peter O'Toole, Jack McGowran (1966); The Game by Alun Owen (1965); Dylan by Sidney Michaels (1960s); The Porch by Jennifer Johnston; Dusk Before Fireworks by Dorothy Parker; Little Malcolm and His Struggle Against the Eunuchs by David Halliwell; Captain Brassbound's Conversation by Bernard Shaw (1964); Mary Mary by Jean Kerr (1964); We're Joking of Course by Harry O'Donovan (1963); A Thousand Clowns by Herb Gardner (1964); The Londen Tree by J.B. Priestly; Romeo and Juliet by William Shakespeare (1949); Not in the Book by Arthur Watkyn (1958); Triangle by Guy De Maupassant (1958); A Lodging For a Bride by Patrick Kirwan (1960); The Unknown Man by Roland and Michael Pertwee (1949); Photo Finish by Peter Ustinov (World Premiere, 1962); That Lady by Kate O'Brien (1951); Noah by André Obey (1947); The Moon in The Yellow River (1948); Laurette by stanley Young (1964); Rashomon by Fay and Michael Kanin (1965); Mother Goose Pantomime (1990s).
Also programmes from the Shakespearean Festival at the Gaiety Theatre presented by and starring Anew McMaster. Plays by Shakespeare produced include The Taming of The Shrew and King Lear (1954). Also "The Cardinal" by Louis Napoleon Parker produced and starring Anew McMaster (1946).

Printed programmes from productions by The Passion Machine Theatre Company. Programmes collected by Carolyn Swift and include: Wasters (1991) by Paul Mercier; The Dublin Trilogy - Buddleia, Kitchensink, Native City by Paul Mercier (1998); Diarmaid and Grainne by Paul Mercier; Massive Damages by Declan Lynch; Kitchensink (1996) by Paul Mercier; Buddleia by Paul Mercier (1995); Songs of the Reaper (1994); Pilgrims by Paul Mercier (1993); Brownbread by Roddy Doyle (1994).

File of programmes from productions by Rough Magic Theatre Company. Programmes collected by Carolyn Swift and include: Top Girls by Caryl Churchill and American Buffalo by David Mamet (1984); The Caucasian Chalk Circle by Bertolt Brecht (1985); Bat the Father, Rabbit the Son by Donal O'Kelly (1988); Our Country's Good by Timberlake Wertenbaker (Irish Premiere) 1989; Nightshade by Stewart Parker; I Can't Get Started by Declan Hughes (1990); The Dogs by Donal O'Kelly (1992); Digging For Fire by Declan Hughes(World Premiere, 1991); Love and a Bottle adapted by Declan Hughes from George Farquhar (1991); Hidden Charges by Arthur Riordan (1994); New Morning by Declan Hughes (World Premiere, 1993); Copenhagen by Michael Frayn (Irish Premiere); The Memory of Water by Shelagh Stephenson (2000); Dead Funny by Terry Johnson (2001); Three Days of Rain (2000); The Whisperers (1999); Tea and Sex and Shakespeare by Thomas Kilroy (1988); Serious Money by Caryl Churchill (1988); Spokesong by Stewart Parker (1990); A Handful of Stars by Billy Roche (1990)
Also includes programme from A Pull of Smoke by Peter Coke and Play Circle Productions with members of Rough Magic Theatre Company (1980s)

File of theatre programmes from plays produced by Co-Motion Theatre Company, and collected by Carolyn Swift. Also some press releases for plays that were sent to Swift by the company. The programmes include a history of the company, founded in 1985. Programmes include: Loco County Lonesome by Pat McCabe; Frank Pig Says Hello by Pat McCabe; The Drum by Tony Kavanagh at City Arts Centre; From Morning to Midnight by Georg Kaiser at the Damer Hall; Song of the White Man's Burden by Peter Weiss, Temple Bar; Departed by Joe O'Byrne, Lombard Street Studio Theatre; The Sinking of the Titanic and Other Matters by Joe O'Byrne at the SFX Centre; Frank Pig Says Hello by Pat McCabe; Light and Fire - Leonce and Lena / Woyzeck by Georg Buchner.
Press release for Light and Fire; Return of the Departed; From Morning to Midnight.

File of programmes from productions by Pigsback Theatre Company and from later productions when the company changed name to Fishamble Theatre Company. Programmes were collected by Carolyn Swift. Pigsback programmes include: Buffalo Bill Has Gone to Alaska by Colin Teevan (1993, Andrew's Lane Theatre); The Flesh Addict by Gavin Kostick; Sardines by Michael West at the Samuel Beckett Centre (1995); The Tender Trap by Michael West at Project Arts Centre (1992); Don Juan by Moliere and translated by Michael West at Project arts Centre (1990); Red Roses For Me by Joseph O'Connor (1995); The Ash Fire by Gavin Kostic (1992); Howling Moons Silent Sons by Deirdre Hines at Project Arts Centre (1991).

Programmes from Fishamble productions include: True Believers by Joseph O'Connor (1999); Wired to the Moon by Maeve Binchy (2000); The Y2K Festival - overview and schedule of series of productions by Fishamble, 2000.

File of theatre programmes produced at Project Arts Centre Dublin during the 1970s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include: Pinter Review and The Collection by Harold Pinter presented by Two's Company (1975); Eight Jumps and a Pair of Wings by Joe Coughlan (1975); Romulus The Great by Dürrenmatt (1975); The Old Firm by Tom MacIntyre (1975); Knuckle by David Hare; The Rock and The Dream Box by Ulick O'Connor; Lulu by Frank Wedekind and adapted and directed by Agnes Bernelle (1975); Greek by Steven Berkoff; Outlook Unsettled by Mary Manning (1976); Behind the Green Curtain by Sean O'Casey (Irish premiere); The Sea Anchor by E.A. Whitehead (Irish Premiere); Lizzie Bordon in the Afternoon by Robert Henson; Maret/Sade by Peter Weiss; Says I, Says He by Ron Hutchinson; Dev by G.P. Gallivan (1977); Lenny Bruce directed by Michael Sheridan; Bats or Booze or Both? by Pat Ingoldsby; the Man Outside by Wolfgang Borchert (1973); The Hostage by Brendan Behan; The Hour Glass, The Words Upon the Window Paine, The Cat and the Moon by W.B. Yeats (1976); The Lady's Not For Burning by Christopher Fry; The Dark Lovers (Irish Premiere) by Ulick O'Connor; Motocar by David Pownall; Richard III Part Two by David Pownall and Paines Plough Theatre Company; Mothers by Sean Walsh (1974); Little Eyolf by Henrik Ibsen (1974); Call Me Daddy by Ernest Gebler (1975); Poor 'Ol Joe by John Lynch; Landscape and Silence by Harold Pinter; The Homecoming by Harold Pinter (1977); Interview by Jean Claude Van Italie and Metamorphix Productions; Dr. Faustus; The Only Jealousy of Emer by W.B. Yeats; The Bald Prima Donna by Eugene Ionescu; Under Plan Clothes by John Osborne; Article 5 by Brian Phelan; The Living room by Graham Greene.
Project Arts Centre Art Gallery Exhibition catalogue for Project '66 - '74. (1975).

File of theatre programmes produced at Project Arts Centre Dublin during the 1980s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include:
General brochure for Project Arts Centre events in theatre, film, art, and music; Invitation to Now and Then and to So Different ... and Yet by James Coleman with Roger Doyle and Olwen Fouéré (1981); Ticket and Press Release for The Goodbye Machine by Lee Gallacher; Tyerskoy Boulevard by Theatre Union of the Russian Federation; The Gala Gala Man by John Maher; Uncle Silas by Mary Elizabeth Burke-Kennedy; Sea Urchins by Aodhan Madden; Dead end Kids by Bill Wertz; Low In The Dark by Marina Carr (1989); Stand Up and Be Comic including The Christian Brother by Ron Blair and Hancock's Last Half-Hour by Heathcote Williams with Red Rex Theatre Company; Rat In the Skull by Ron Hutchinson; Judith; An Arabian Night and Cymbeline, Dublin Theatre Festival programme at Project Arts Centre including Writer's Cramp by John Byrne, Forever Young by Shane Connachton and on life of Bob Dylan, Alternative Cabaret and Hancock's Last Hour-Hour; Readings of New Irish Plays - Tantalus by Ken Bourke, Ullaloo by Marina Carr, Timelines by Lorraine Donoghue from Independent Theatre Association; Bunreacht Boys by Maciek Reszczynski; Eejits by Ron Hutchinson; Bent by Martin Sherman; We Can't Pay, We Won't Pay by Dario Fo; the Morning After Optimism by Tom Murphy; Extremities by William Mastrosimone; My Sister in This House by Wendy Kesselman; Three Bunches of Blood and a Lump of Fog by Sean McCarthy (1983); Masterpieces by Sarah Daniels; The Antigone by Aidan Matthews; The Diamond Body by Operating Theatre; Krieg by Liam Lynch (World Premiere); Beyond Words - Mime event and with press release (1981); The Lover by Harold Pinter and Lunch by Berkoff - Second Skin Theatre , London; One Big Blow by John Burrows and 7:84 Theatre Company England; Trafford Tanzi by Claire Luckham (1984). The Love of Don Perlimplin and Belisa in the Garden by Garcia Lorca - Operating Theatre Company (1984).

File of theatre programmes produced at Project Arts Centre Dublin during the 1990s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include: I Love You, I Love You Not by Wendy Kesselman; Waiting For Godot by Samuel Beckett translated by Jeong Ja Oh and the Sanwoollim Company, South Korea (1990); Speed The Plow by David Mamet (1994); Troubled Hearts by Maeve Binchy; Big Mom by Ferdia Mac Anna (1994); Immigrant Queen by Kazimierz Braun and Medea Productions (1993); Hamlet's Nightmare (1993); Berlin Berlin by Agnes Bernelle; Craving by Johnny Hanrahan and John Brown (1998); Christmas Cabaret by Agnes Bernelle; Down Onto Blue by Pom Boyd; Marlboro Man by Clare Dowling; Les Nereides by Mary McGuckian; Ficky Stingers by Eve Lewis; Here Lies Henry by Daniel MacIvor and Daniel Brooks; Project Arts Centre 1994 New Music Series programme.

File with theatre programmes from plays written or produced or directed by Jim and or Peter Sheridan. Many plays produced at Project Arts Centre Dublin. Plays attended by Carolyn Swift. Programmes include:
The Risen People by James Plunkett (Project Arts Centre) The Fall of the House of Usher by Edgar Allan Poe and adapted by Steven Berkoff (Project Arts Centre); Mobile Homes by Jim Sheridan, directed by Peter Sheridan (Project); Shades of the Jelly Woman (The Complete Version) by Peter Sheridan with Jean Doyle; The Liberty Suit by Peter Sheridan directed by Jim Sheridan (Olympia Theatre); The Other Side of Lilliput by Lee Gallaher, directed by Jim Sheridan (Project); No entry by Peter Sheridan directed by Jim Sheridan (Project); Accidental Death of an Anarchist by Dario Fo adapted by Gavin Richards, directed by Jim Sheridan (Oscar Theatre Productions); Down All The Days by Christy Brown adapted by Peter Sheridan directed by Jim Sheridan (Oscar Theatre Productions); Children of Eve by Peter Sheridan (Dublin Youth Theatre, Andrews Lane Theatre).
Also season programme from Project Arts Centre with listings and casts for plays at Project including The Ha'Penny Place by Jim Sheridan and directed by Peter Sheridan. Plays also listed are The Passion of Christ (Greek Theatre Company Athens), Duchess by Judith Alderson and Kate Phelps and There's Three Sides to Everything by Pat Abernathy and Dave Marsden and also listed in schedule of Liveworks - An Alternative Festival.