Contact sheet and corresponding negative sheet containing 5 images.

Group photographs of the Mac Donagh family, with Bairbre Quinn.

Photographs of some of the residents at Áras Mac Dara.

Contact sheet and corresponding negative sheet containing 23 images.

Individual portrait style photographs of Siobhán Cevan of Rosmuc, Peadar Tommy McDonncha, and Cis Coilmin in Rosmuc.

Photographs of An Damhlann gallery in Spiddal.

Two contact sheets containing 30 and 11 images respectively, and corresponding negative sheet.

Individual photographs of Josie Sheáin Jack, and his son.

Individual photographs of Dara Bán of Carna, Johnny Máirtín Learaí, Bairbre Phat Mhór, and Reggie Hannon.

Test shots for 'Conamara An Tír Aneoil, The Unknown Country', published in 1997.

Six folders of contact sheets, with corresponding negatives documenting Bob Quinn's professional, local, and family life.

It includes several images that align with those published in 'Conamara An Tír Aineoil. The Unknown Country'. This was a bi-lingual book of photographs by Bob Quinn, with words from Liam Mac an Iomaire.

Photographs of the Rosmuc pantomime, Pléaracha Chonamara, the Oyster Festival in Rosmuc, Raidió na Gaeltachta, Comórtas Peile na Gaeltachta, and musical live performances, as well as several aspects of Quinn's home life.

These prints are all in black and white.

Folder of contact sheets and corresponding negatives. Mostly portrait shots of individuals, some of these were published in 'Conamara, An Tír Aneoil, The Unknown Country', a 1997 publication with Bob Quinn's photographs, and Irish and English language text from Liam Mac an Iomaire.

This sub-series also includes images from Bob Quinn's home life, and photographs taken on the set of the 1996 film, 'The Boy From Mercury'.

Two identical contact sheets and corresponding negative sheet containing 11 images.

Photographs of Marcus standing in Woodquay, outside the Town Hall Theatre at night. Photographs of a meeting, with 7 people seated at tables on a stage. Some of the crowd are captured from behind in the photograph.

Portrait images of Pat Jennings, boatman, wearing a tweed peaked cap and an Aran jumper, photographed next to a large boat. Image from 'Conamara, An Tír Aneoil', published in 1997. Photographs of Baba Bailey, standing in a doorway, and pictured inside sitting on an armchair, smiling.

Two identical contact sheets and corresponding negative sheet containing 25 images.

Photographs of different local people, muintir Chonamara. Not all are identified, but those who are de Johnny Phaddy, an elderly man seated in an armchair, Pat Phádraig Tom, Tess Conghaile, head and shoulders standing outside, captured mid conversation/song. Photographs of Kit / Chit Flaherty standing outside O’Flaherty’s bar. Smiling photographs of Larry Feeney, sitting in a garden.

Contact sheet and corresponding negative sheet containing 19 images.

Photographs of Máirtin Ó Cualáin, standing outside on a farm, and photographs of his son, un-named. Portrait of Sonny Choilm Larry, sitting inside on an armchair, alone and with an unidentified lady in another photograph. Photographs of Pádraig Bradley sitting next to an open fire.

Two contact sheet containing 5 images respectively, and corresponding negative sheet.

Photographs of Eddie Bhearthai standing in the courtyard of a University.

Photographs of Stiofán Ó Cuaráin, at dinner.

Contact sheet and corresponding negative sheet containing 23 images.

Photographs of Colm and Mags Dharach Seoighe, Rosmuc, pictured at home, with a trophy won at the traditional dancing competition sponsored by Pléaracha Chonamara.

Photographs of Mary Iveagh [Máire Uí Chonaola], involved with Pléaracha Chonamara.

Photographs of Festy Conlon playing the tin whistle while seated in an armchair next to a bookshelf laden with books.

Portrait of Seán Ó Conghaile, writer on cultural and social events, seated in an armchair, wearing glasses, and wearing a snug cardigan. He is captured looking directly at the camera and from the side.

Some of these images appear in 'Conamara, An Tír Aineoil', published in 1997.