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Copy of handwritten 'bogus message' purported to be by Martin McGuinness, beginning 'The conflict is over...', and commentary by Éamonn Downey on its likely date and provenance according to both Brendan Duddy, and to Downey (former dating it to 2 November, latter adhering to British government's dating of 22 February).

Copy of handwritten notes on possible future projects for 1987, including possible touring opportunities in the USA and Australia, films such as "Juno and the Paycock" and "The Dead" and possible films such as one on Countess Markievicz and “King Billy”. Also draft letter from Johnny Hippsley to Walter Shulz Keil, saying that he is sorry to hear of their troubles with Ardmore Studio, he comments that he understands that John Huston would not want to travel more than is necessary, and gives names of production people who may of use in their efforts to do a film of "The Dead". He asks to be kept informed of developments. Also copy letter from John Hippsley to Chris Sievernich and Wieland Schulz-Keil of Gray City Films asking if they are going to offer a part in "The Dead" to Siobhán McKenna as she is getting other offers of work but would very much like to work on their project if possible (30 July 1986). Also Copy letter from John Hippsley to Wieland Schulz-Keil on the possibility of Siobhán McKenna supporting their bid to get Ardmore Studios up and running again, as well as giving contacts for their proposed film in Ireland (21 Sept 1986).

Copy of handwritten notes by Eamonn Downey, taken at a lecture by Michael Farrel[l] (no place), entitled 'Golden Thread', on the thesis that the state in Northern Ireland has been neglecting the basic right of the individuals for justice and the right of being counted innocent unless proven otherwise. Listing infringements of that right such as the practice of internment, maltreatment in custody, the events of Bloody Sunday, and others.

Copy of heads of agreement between Andrew Hearne of Hearnesbrooke and Rev. Smyth, before Mr Persse, giving him the 71 acres at Killccogall for seven years and giving the conditions of the lease.

Copy of 'High Fidelity'

Copy of holograph letter from Michael [Oatley], Wami, Kenya, to Brendan Duddy, Londonderry, with detailed impressions from his family holidays, and general reflections on the past year and joint efforts, Duddy having been able to see him on his last day. Expressions of empathy for Duddy's difficulties, affectionate respect for his attitude and work, and reference to his writings of verse. (Caption by [Éamonn Downey] refers to the original document.)

Copy of holograph letter from Mícheál Ó Máirtín of An tUltach, Dungannon, to [Proinsias Mac an Bheatha], 18 December [ ], detailing their plan to publish a special edition in honour of Fr Lorcán Ó Muireadhaigh; welcoming material already sent, and invi

Copy of House and Garden containing an article entitled "John Huston's Best of All Worlds by Naomi Barry, pp 140-147. Contains many photographs of St. Cleran's and his art collection there.

Copy of House Beautiful with a note from Carolyn Murray to John Huston highlighting an article on a house in Mexico, many features of which were incorporated into his house in Puerto Vallarta.

Copy of income and expenditure for 1929-1930, signed by Tomás Mac Énrí [in Irish].