Showing 46798 results

Archival description
708 results with digital objects Show results with digital objects
UGA T/T40/6/24 · Item · 09/1988
Part of Theatre

Files relating to the Children's Literature World Congress, 'Writers and Readers', held in Oslo, Norway, 23 - 25 September 1988. Swift was a speaker at this world congress with a paper entitled "The influence of The Oral Tradition on Children's Literature in Ireland". File includes marked-up annotated text of the talk by Swift, a second clean typed version of the talk, programme and flyer from the congress with listing of all speakers and congress schedule.

Files 2 - 3 include texts of other papers presented at the congress and about children's literature, writing, reading, and publishing in a number of different countries around the world.

UGA T/T40/6/23 · Item · 1984-1987
Part of Theatre

Files of correspondence and documents relating to a legal dispute by Carolyn Swift and with the Children's Press, owing to dispute about contracts and publication rights to books by Swift as part of her 'Robbers' series of books. Includes letters between Swift, solicitors, The Arts Council, and others.

Children's stories
UGA G/G17/3/3/9/1518 · Item · [n.d.]
Part of Irish Language

"Typescript pages of notes relating to books done for primary school children, edited by Eoghan Ó Tuairisc of Macdonald's ""Tosaitheoirí"", including notes on music and book [in Irish]."

Children's stories
UGA G/G17/3/3/9/1520 · Item · 1976
Part of Irish Language

Press cutting relating to the winning of the for children's drama won by Eoghan Ó Tuairisc at An tOireachtas.

Children's stories
UGA G/G17/3/3/10/1521 · Item · 1976
Part of Irish Language

"Copy of book review of ""Paddy No More"" edited by William Vorm, containing contemporary Irish short stories including two stories by Eoghan Ó Tuairisc. Review is done by John Fowles and is published in ""The Irish Press""."

UGA T/T40/4/24 · Item · [196-]-[197-]
Part of Theatre

File with scripts and overviews for new children's television programmes by Carolyn Swift. Includes a proposal for a television series based on Swift's "Robbers" series of books; an overview for a 52-minute play series; overview of 'Thunderbird' a fantasy with music for television, book and lyrics by David Armstrong, lyrics by Carolyn Swift; Presentation filler for Glove Puppet (various themes) by Swift; treatment by Swift of unnamed programme; Idea for a 26-minute Irish language light entertainment series for television.
Also sheet of illustrated headed paper for RTÉ children's programmes; booklet from National Children's Day June 1978; RTÉ staff directory and newsletter from 1961.

China
UGA A/A44/25/5 · File · 2003-2004
Part of Academic

Proceedings form Seminar on Freedom of Association held by the EU-China Human Rights Network, and held at NUI Galway. Prof. Kevin Boyle was a participant at this seminar. Also present is a copy the Journal of Human Rights in China, 'China Rights Forum' (issue 1, 2004)

Choate-Shields productions
UGA T/T13/A/1/3/5 · Sub-sub-series · 1939-1957
Part of Theatre

This series is comprised primarily of photocopies from the Edward Choate collection which was deposited at Theatrical Research, University of Wisconsin. This material was copied on Laurie Shields behalf in 1971. A small number of original documents relating to Choate are also included in this series. In 1939 Arthur Shields entered into partnership with Edward Choate a New York based theatre producer. With Shields help Choate received the U.S. production rights to Paul Vincent Carroll's 'Kindred'. Carroll an Irish born playwright then living in Scotland had enjoyed both critical acclaim and some commercial success on Broadway with his two previous plays 'Shadow and Substance' and 'The White Steed'. In the event 'Kindred' which open on Broadway on 26 December 1939 on ran for 16 performances. In order to salvage something from the venture Choate and Shields hastily organised a production of O'Casey's 'Juno and the Paycock' using many of the cast members from 'Kindred'. Although Shields and Choate's business partnership ended after this production, they continued to correspond and Choate continued his involvement with Carroll, producing his next play 'The Strings, My Lord, Are False'.