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Typed articles, some with manuscript edits and annotations, by Carolyn Swift, written about her television and radio work, and published in the RTÉ Guide Magazine. File includes remittance slips for payments to Swift for her articles in the RTÉ Guide. Articles include:
Getting Around in Tolka Row
Tolka Row Celebrates its 150th Birthday
The Growing Community of Tolka Row
For Use With "The Girl From Mayo"
For Use With First of 'Looking at Drama' series
The Glorious Uncertainty
The Country Boy
A Cruel Fondness
Partners in Practice
Setting Up Sallybawn
I'm Getting Out of This Kip
Is Your Play Really Necessary?
Show Business
Marie Rambert - Inspired and Trained Some of the Leading Choreographers and Dancers of Our Time
Why Not Reconsider That Paris Holiday?
Paris - Europe's Entertainment Capital
Classical Feast For Dublin Balletomanes (Note: published in Sunday Independent?)
Alicia Markova: Classical Influences on English Ballet
Is There a Playwright in the House?
The Cooney Experiment?

Texts and drafts of articles written by Kevin Boyle and others on the Anglo-Irish Agreement, including "Making the Hillsborough Agreement Acceptable" by Kevin Boyle and Tom Hadden; "The Anglo-Irish Agreement - Clarifying the Objective" TS draft document "The Anglo-Irish Agreement" by Boyle detailing a suggested synopsis of the Agreement, current problems and suggestions of solutions (A441/6/2 (4) ) "What People really think of the Agreement"; "The Search for a Political Solution"; "Copy on Art[icles] 2,3 of the Constitution from Kevin Boyle, Law Department, University College Galway" which focuses on conflicts with the Anglo Irish Agreement and the Irish Constitution. (3 copies)

Writing pad with handwritten research notes by Thomas Kilroy, quoting from unnamed texts about the sculptor Giacometti, and particular works by him, such as Woman with Chariot. (1942).

Writing pad with handwritten notes by Thomas Kilroy entitled "Notes towards Shape of Metal , 2002". With notes outlining scenes, and draft dialogue. Beginning with the lines "And another thing. To the day I die I'll never understand why she hates me."

Writing pad with handwritten notes and draft dialogue by Thomas Kilroy for his play The Secret Fall of Constance Wilde , entitled "Dorian G." Containing draft dialogue as well as notes linking classical authors and ideas to the play (and notes from a visit to the British Museum). Characters of dialogue include "The Elder Wilde", "Lord Henry", "Dorian", "Duchess". One programmatic note says "I want to write a Faustian play about Wilde with Douglas as a capricious Helen..."

Writing pad with handwritten draft dialogue by [Thomas Kilroy for his play The Secret Fall of Constance Wilde ], beginning with "Wilde" and puppets representing his two sons [not eventually in the printed play], and some dialogue by "Cyril". Further extensive dialogue [much eventually used in both parts of the printed version].

Writing pad mostly with handwritten notes and draft dialogue by Thomas Kilroy, in preparation of a play with the working title My Life Has Had Its Moments [My Scandalous Life]. Including a chronology of Douglas's life, a typescript précis of the play with a plan for two parts; sketching dialogue for the first part, between "Douglas" and a BBC radio speaker, and sketching monologue for the second part, set in Hove in 1944.

Writing pad (35 pp) with handwritten notes and draft dialogue by Thomas Kilroy for his play The Secret Fall of Constance Wilde , entitled "Constance". With some links to previous notes on Dorian Gray , stating on the first page "What is the connection between Dorian Gray and Oscar's unwillingness to escape?" Including also some historical notes, such as reference to Carson's speech [at the trial]; some draft dialogue, segments of which occur in the printed play (The Gallery Press, 1997). Enclosing some loose notes of various provenance with the first page of an essay about the "drama of ideas".

Writing pad and other pages containing handwritten draft of memoirs of Siobhán, including her time at university, An Taibhdhearc, and her early days at the Abbey theatre.