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Typescript letter from Micheal Mac Liammóir to Genevieve Lyons. "My darling Ginny . . . I was so happy that you remembered me". With manuscript note: "Up Belfast Up Dún Laoire!"

Typescript letter with manuscript notes from Micheal Mac Liammóir to Genevieve Lyons, "Darling Genevieve . . . It is a great pleasure to me that you liked the performance".

TS letter to Genevieve Lyons from Deirdre [McSharry], offering thanks to Lyons for recent good wishes and sending congratulations on her good notices "for the Parnell play". [McSharry] mentions meeting with Fin, Siobhán and Eithne for lunch ahead of their upcoming performance in London. "Should be an exciting first night - will we ever forget the first night of the Dominick Behan play?!!"

Manuscript letter from Godfrey Quigley to his wife, Genevieve Lyons. The letter is written from Paris, with the attached envelope date-stamped 23 May 1959. Lyns' address is Haddington Road, Dublin. Quigley outlines how he has been very busy since arriving in Paris with rehearsals, the show, interviews etc. "The show had a terrific public reception, the majority of resources excellent ....".

Telegram from Hilton Edwards, Gate Theatre, Dublin to Genevieve Lyons, address at Poulton Square, Chelsea, London. "Dearest Genevieve have arranged with Godfrey ...this confirms Mary in Drunkard", outlining rehearsal plans for Lyons in the role of Mary.

Telegram from Hilton Edwards to Genevieve Lyons, address at Poulton Square, London, seeking to reach Lyons by telephone.

Play scripts used by Genevieve Lyons, some with her personal notes and annotation.

Printed playscript, Samuel French edition, of "The Burnt Flower Bed (L'Aiuola Bruciata), by Ugo Betti, and translated by Henry Reed.

Printed playscript, Samuel French Acting Edition, of "Private Lives" by Noel Coward.

Printed playscript for "Bus Stop" by William Inge, Dramatists Play Service Edition. With manuscript notes and comments added by Genevieve Lyons, in relation to the role of 'Cherie' in the play.