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File of assorted production documents including original artwork for ship/trawler with 'Reefer' title; contractual rider agreement terms; re-write of script scenes "Aran Pub" and "Aran Dancehall", details of opening credits and end credits. List of acknowledgements and funders, manuscript notes on rehearsal schedule, list of shooting locations for the film, list of cars, boats and guns used in the film, list of scenes shot in studio; letter of thanks to all cast and crew from Lelia Doolan and Darryl Collins; Grip list, list of cameras, list of alternative titles for the film, full cast and crew list, safety instructions for on set locations.

File of letters and documents related to the production and financing of Stormy (Reefer) and the Model, produced by Berber Films. Includes manuscript minutes of pre-production minutes, attended by Lelia Doolan, Joe Comerford and Tom Hayes (Jan 1985); correspondence between Lelia Doolan and Joe Comerford (1985) discussing aspects of the script, editing of the script with changes to aspects of the story/characters and ideas regarding possible casting, e.g. suggestion of Richard Harris; Letters labelled re. "Correspondence re. Tax Coopers and Lybrand, Minister for finance (Alan Dukes T.D.) and Garret FitzGerald re. film budgets, artist tax schemes, projected sales, and related financial discussions (1985 - 1986); Document being "Agreement Part IV - "A" - Net Profits"; Copy of report by Tom Hayes - "The Production of East Conference - New York" - Film production notes from conference by Tom Hayes (June 1985).

Letters received by Lelia Doolan and Berber Films in response to a casting call for production of Reefer and the Model. Includes letters from actor Richard Harris to Doolan, discussing potential film options but having to pass on this role (1985). Also letters, headshots, and CVs received by Doolan to open casting call from various prospective actors.

File containing typescript copies of translations of Pádraic Ó Conaire stories, including "My Little Black Ass", "Like Mark's Nora" and "The Soul of the Bishop".

File containing some notes, but mainly Irish and German versions of the stories of Micheál Ó Mainnín relating to na Sídhe. Also file of notes and copies of material from other sources relating to the same topic.

Typescript copy of stories of folklore from the Claddagh, mainly on fishing [in English].

File containing pictures from the "Irish Times" on the Aran Islands, and a typescript list of stories.

File of letters between Carolyn Swift and various magazine editors, pitching stories and writings by Swift for publication. Letters to/from editors include: Irish Woman's Journal; Bend Magazine, Dublin; Housewife Magazine, London; Soldier: The British Army Magazine; The Irish Times; Men Only, London; Reveille, London; Punch Magazine, London; Tit-Bits Magazine, London.
Letter to Swift from editor of the Kilkenny Magazine, discussing story submissions by Swift (1962). Text of story 'The Birthday Party' by Carolyn Swift with attached rejection slip "not for us" from Esquire Magazine.

Also a print information pack about 'Executive - the most exciting new Irish publication of 1979', who accepted a story for publication by Swift entitled 'Adam's Apple', with correspondence with the editor accepting the story.

Photocopy of notices of papers presented by Professor Storey (Professor of National Philosophy, Queen's College Galway, 1853-7), relating to telescopes and 'Grove's Battery'.

"Stop Calling me Vernon". Black and white promotional photographs from the Right Size Theatre Company who performed Stop Calling Me Vernon at the Galway Lawn Tennis Club. Photographer is named as Dai Lewis. Images feature the two group members. Images measure 204mm X 253mm and include a white border.