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6 aerial photographs of promontory fort sites and headlands at Templetown, Hook Peninsula, County Wexford.

File includes transparency drawings and sketches of bell and grave slab at Templemoyle, Co. Galway, drawn by Etienne Rynne.

Speech by Father Hayes that attempts to tie the temperance and Muintir na Tíre movements together at the parish level in order to build community. Includes annotations and corrections.

Contact sheet and corresponding negative sheet containing 36 images.

More photographs from behind the scenes of Teilifís na Gaeilge’s early days of pre-licenced broadcasting. Bob Quinn, Tommy Collins, Peigi Ní Conghaile, Donncha Ó hÉallaithe, and Jimmy Lenihan are pictured.

Photographs of Johnny Cóil Mhaidhc photographed outside his home, holding a little boy in his arms in some of the pictures.

Contact sheet and corresponding negative sheet containing 36 images.

The set is entitled “Pirates in Rosmuc”, and features the first broadcastings of Teilifís na Gaeilge in 1987. It includes behind the scenes images of recording, some images are marked with highlighter. Identified in the picture are Maidhco Ó Conaire, Claire Ó Tuathail, Norbert Payne, P de Bhaildraithe, Seosamh Ó Cuaig, Josie Joe Cholman, Joe Steve Neachtain, Peigin Ni Conghaile, and Tommy C.

Contact sheet and corresponding negative sheet containing 36 images.

Continuation of features the first broadcastings of Teilifís na Gaeilge in 1987. Images of a car with the boot open and full of camera equipment, surrounded by crew. It is next to a transmitter on Cnoc Mordáin. Photographs behind the scenes in studio, and of An Crannóg in Rosmuc. Josie Joe Cholman climbing a ladder to fit an aerial on An Crannóg. Those named in the pictures are Piaras Ó Gaora, Seosamh Ó Cuaig, Norbert, Billy Keady.

This contains documents from all stages of writing television plays, some of them produced, such as Farmers (1978) and Gold in the Streets (1993), partly unproduced, such as The Women and Mr. Yeats. There is also material from two television documentaries, on John Behan's Famine Ship sculpture, and on the life and work of Brian Friel. It excludes television plays directly evolving from his stage plays, or (in the case of The Colleen and the Cowboy) from a radio play.

Television Motion Picture Agency Contract (Artists' Manager Contract)

Parties: Lester Salkow Agency Inc., referred to as the 'Agent' and Arthur Shields referred to as the 'Actor'

Terms and Conditions: For the term of one year commencing 25 August 1961 the Actor agrees to pay the Agent a sum equal to ten per cent of all moneys or other consideration received by the Actor, directly or indirectly, under the contracts of employment entered into during the term specified.

File of card-mounted black end credits for television shows with contribution by Carolyn Swift. Includes "By Carolyn Swift", 'Series Devised by Carolyn Swift", "Script by Carolyn Swift", "Lyrics by Carolyn Swift"