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File of programmes from productions by Pigsback Theatre Company and from later productions when the company changed name to Fishamble Theatre Company. Programmes were collected by Carolyn Swift. Pigsback programmes include: Buffalo Bill Has Gone to Alaska by Colin Teevan (1993, Andrew's Lane Theatre); The Flesh Addict by Gavin Kostick; Sardines by Michael West at the Samuel Beckett Centre (1995); The Tender Trap by Michael West at Project Arts Centre (1992); Don Juan by Moliere and translated by Michael West at Project arts Centre (1990); Red Roses For Me by Joseph O'Connor (1995); The Ash Fire by Gavin Kostic (1992); Howling Moons Silent Sons by Deirdre Hines at Project Arts Centre (1991).

Programmes from Fishamble productions include: True Believers by Joseph O'Connor (1999); Wired to the Moon by Maeve Binchy (2000); The Y2K Festival - overview and schedule of series of productions by Fishamble, 2000.

File of printed theatre programmes from various productions Piccadilly Theatre, London, attended by Carolyn Swift.

Printed programmes from various productions at the Phoenix Theatre, Charing Cross, London, and attended by Caroline Swift.

File of theatre programmes from the Peacock Theatre at the Abbey, Dublin, from productions attended by Carolyn Swift, 1970s - 1990s.

Programme from production of Tailors Requiem by Pan Pan Theatre Company, Project Arts Centre, 1996.

File of theatre programmes from productions by Orion Productions, a company led by Phyllis Ryan and based primarily at the Eblana Theatre, Dublin, and the Gas Company Theatre, Dun Laoghaire, Dublin. Includes plays by John B. Keane, Patrick Galvin, Brian Friel, Tennessee Williams, Hugh Leonard, Tom Coffey and others.

File of theatre programmes from plays at the Olympia Theatre Dublin collected by Carolyn Swift. Programmes include: Sleuth by Anthony Shaffer; The Righteous Are Bold by Frank Carney; Noises Off by Michael Frayn; Plaza Suite by Neil Simon; Soldiers by Rolf Hochhuth; The Boys in the Band by Mart Crowley; Pride and Prejudice by Jane Austen; Straight Up by Syd Cheatle; The Mundy Scheme by Brian Friel; Dazzling Prospect by M.J. Farrell and John Perry; Entertaining Mr. Sloane by Joe Orton; I Know Where I'm Going by John McCann; Hogan's Goat by William Alfred; The Winslow Boy by Terence Rattigan; White Cargo by Leon Gordon; Present Laughter by Noel Coward; The Morgan Yard by Kevin O'Morrison; The House of Blue Leaves by John Guare; Close of Play by Simon Grey; Da by Hugh Leonard; Frankenstein by Julian Beck and Judith Malina; The Death and Resurrection of Mr. Roche by Thomas Kilroy; Stag Party by Leonard Webb; Ah Well, It Won't Be Long Now by Marty Manning; Every Good Boy Deserves Favour by Tom Stoppard and André Previn; The Quick and the Dead by by Hugh Leonard; The Night Thoreau Spent in Jail by Jerome Lawrence and Robert E. Lee; Theatre National Populaire, France with Le Faiseur by Balzac and Le Malade Imaginaire by Molière; L'Ecole Des Femmes by Moliere and Monsieur Chasse! by George Feydeau; A Touch of the Poet by Eugene O'Neill; Dearest Dracula - A New Musical; Gallows Humour by Jack Richardson; Gigi by Colette and Anita Loos; The Rough and Ready Lot by Alun Owen; The Land is Bright by M.A. Fraser; The Apricot Season translated from Aldo Nicolaj; Teresa of Avila by Hugh Ross Williamson; The Potting Shed by Graham Greene; Time and Again by Friedrich Durrenmatt; Nude With Violin by Noel Coward; Kathleen by Michael Sayers; The Trip to the Bountiful; The Devil's Disciple by Bernard Shaw; Macbeth by William Shakespeare; Witness for the Prosecution by Agatha Christie; Someone Waiting by Emlyn Williams; Quadrille by Noel Coward; Design for a Headstone by Seamus Byrne; Many Young Men of Twenty by John B. Keane; East Lynne by Mrs Henry Wood; Man Alive! by James D. B. Wood; Aspects of Love by Andrew Lloyd Webber; Strippers by Peter Terson; Run For Your Wife by Ray Cooney; The Informer by Tom Murphy, starring Liam Neeson; University Drama Association Festival Programme 1960.
Flyers for Speak of the Devil by Fergus Linehan' ZOZ - A Play With Music by Joe O'Donnell with the Wolfe Tones; The Madwoman of Chaillot by Jean Giraudoux (1955); Happy As Larry by Donagh MacDonagh (1955); The White Steed by Paul Vincent Carroll (1955)

File of theatre programmes from plays produced and/or directed by Nora Lever and Barry Cassin, relating to plays at the 37 Club theatre, the Gaiety Theatre, and other venues in Dublin. Programmes collected by Carolyn Swift. Programmes include: The Innocents by William Archibald; The Adding Machine by Elmer Rice : Bannister's Cafe by Harry S. Gibson; The Man With a Load of Mischief by Ashley Dukes; Granite by Clemence Dane; The Country Boy by John Murphy; Under Milk Wood by Dylan Thomas; The Eagle Has Two Heads by Jean Cocteau; The Man Outside by Wolfgang Borchert; The Rainmaker by Richard Nash; The Crucible; The Tinker's Wedding by J.M. Synge; Aisling by Maurice Meldon; Fresh Routes (A Revue) by Ian Duff and John Buckley; Who's Afraid of Virginia Woolf? by Edward Albee; At Home with the Shaws of Synge Street; Irish Music and Poetry Through the Years; Way Beyond by Hugh Carr; More Stately Mansions by Eugene O'Neill; Christmas in the Marketplace by Henri Gheon; The Lady of the Manor by Lea Goldberg; For Better or For Worse by Sheila Fitton; leaflet from A Service of Thanksgiving for the Life and Work of Nora Beatrice Lever.

Programmes from Kite Productions include: Veronica's Room by Ira Levin; The Marble Madonna by Sean McCarthy; Facade by Trish McMenamin.

File of printed theatre programmes and playbills from assorted New York Theatres and productions. Including The Entertainer by John Osborne (Royale Theatre); Miss Isobel by Michael Plant and Denis Webb (Royale Theatre; The Country Wife by William Wycherley (Adelphi Theatre, 1957); My Fair Lady, from G.B. Shaw, with book and lyrics by Alan Jay Lerner and music by Frederick Lowe (Mark Hellinger Theatre, with Julie Andrews); Long Day's Journey Into Night by Eugene O'Neill, directed by Jose Quintero at the Helen Hayes Theatre;
You Never Can Tell by G.B. Shaw (Downtown Theatre); Guests of the Nation by Frank O'Connor (Theatre Marquee); Metropolitan Opera; The Bald Soprano and 'Jack' by Eugene Ionesco (Sullivan Street Playhouse); the Irish National Playgroup; Radio City Music Hall; The Brothers Karamazov, Gate Theatre; The Chairs and The Lesson by Eugene Ionesco (Phoenix Theatre; Tartuffe by Moliere (Theatre Marquee); The Visit (1958; Lunt-Fontanne Theatre); Jane Eyre adapted by Huntington Hartford (Belasco Theatre); Look Homeward, Angel by Ketti Frings (Ethel Barrymore Theatre); Joyce Grenfell (Lyceum Theatre); American Shakespeare Festival Theatre Programme 1958; Light Opera Company (New York City Centre; Present Laughter by Noel Coward (1958, Belasco Theatre).

Printed programmes from various productions at the New Theatre Oxford, and attended by Caroline Swift.