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File with theatre programmes from companies outside Dublin, and including from Limerick, Galway, Clare, Mayo, and Kilkenny. Limerick programmes relate to The Playhouse Theatre and Mercury Theatre Company and The College Players, also visiting performances by Cyril Cusack in "Arms and the Man" by GB Shaw, 1947, and also touring visit by Nora Lever and Barry Cassin productions (1949); Spring Season 1990 programme from Island Theatre Company, Limerick.

Clare - Programme from The Spell of The Mega-Mall produced by Theatre Omnibus with 'The Disabled People of Clare' (1998)

Galway - Programmes of Macnas productions of Balor, The Táin, Diamonds in the Soil, The Dead School by Patrick McCabe. Galway Arts Festival event flyers 1993, 1994.

Mayo - Programme and press releases about Yew Theatre Company, Ballina, Co. Mayo (1994)

Bickerstaff Theatre Company - Programme from Double Helix by John Crowley (1990s); True Lines (by the company) [1994].

Galloglass Theatre Company - Programme from Happy Days by Samuel Beckett (1990s); The Big Sea by Colin Teevan (1990)

Meridian Theatre Company (Cork) - Programme for Volpone (1990) and company flyer, 1990.

The Cork Theatre Company - Programme from Sister Mary Ignatius Explains it All For You and the Actor's Nightmare [1982]

Sligo - Seven Woods Theatre Company - Programme from Edmond by David Mamet [1990]

Kilkenny - Watergate Theatre Season Programme Sep - Dec 1999

Printed theatre programmes from productions by Red Kettle Theatre Company, Waterford, including Moonshine by Jim Nolan; Forty-four Sycamore by Bernard Farrell; Saltwater Moon by David French; The Kings of Kilburn High Road by Jimmy Murphy; The Salvage Shop by Jim Nolan; The Stomping Ground by Loughlin Deegan.

File of theatre programmes from puppet theatre company productions attended by Carolyn Swift, includes Lambert Puppet Theatre, Dublin, the International Puppet Festival Ireland (various years); The Dublin Marionette Group (1949), The Ark Theatre, Dublin.

File of theatre programmes produced at Project Arts Centre Dublin during the 1990s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include: I Love You, I Love You Not by Wendy Kesselman; Waiting For Godot by Samuel Beckett translated by Jeong Ja Oh and the Sanwoollim Company, South Korea (1990); Speed The Plow by David Mamet (1994); Troubled Hearts by Maeve Binchy; Big Mom by Ferdia Mac Anna (1994); Immigrant Queen by Kazimierz Braun and Medea Productions (1993); Hamlet's Nightmare (1993); Berlin Berlin by Agnes Bernelle; Craving by Johnny Hanrahan and John Brown (1998); Christmas Cabaret by Agnes Bernelle; Down Onto Blue by Pom Boyd; Marlboro Man by Clare Dowling; Les Nereides by Mary McGuckian; Ficky Stingers by Eve Lewis; Here Lies Henry by Daniel MacIvor and Daniel Brooks; Project Arts Centre 1994 New Music Series programme.

File of theatre programmes produced at Project Arts Centre Dublin during the 1980s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include:
General brochure for Project Arts Centre events in theatre, film, art, and music; Invitation to Now and Then and to So Different ... and Yet by James Coleman with Roger Doyle and Olwen Fouéré (1981); Ticket and Press Release for The Goodbye Machine by Lee Gallacher; Tyerskoy Boulevard by Theatre Union of the Russian Federation; The Gala Gala Man by John Maher; Uncle Silas by Mary Elizabeth Burke-Kennedy; Sea Urchins by Aodhan Madden; Dead end Kids by Bill Wertz; Low In The Dark by Marina Carr (1989); Stand Up and Be Comic including The Christian Brother by Ron Blair and Hancock's Last Half-Hour by Heathcote Williams with Red Rex Theatre Company; Rat In the Skull by Ron Hutchinson; Judith; An Arabian Night and Cymbeline, Dublin Theatre Festival programme at Project Arts Centre including Writer's Cramp by John Byrne, Forever Young by Shane Connachton and on life of Bob Dylan, Alternative Cabaret and Hancock's Last Hour-Hour; Readings of New Irish Plays - Tantalus by Ken Bourke, Ullaloo by Marina Carr, Timelines by Lorraine Donoghue from Independent Theatre Association; Bunreacht Boys by Maciek Reszczynski; Eejits by Ron Hutchinson; Bent by Martin Sherman; We Can't Pay, We Won't Pay by Dario Fo; the Morning After Optimism by Tom Murphy; Extremities by William Mastrosimone; My Sister in This House by Wendy Kesselman; Three Bunches of Blood and a Lump of Fog by Sean McCarthy (1983); Masterpieces by Sarah Daniels; The Antigone by Aidan Matthews; The Diamond Body by Operating Theatre; Krieg by Liam Lynch (World Premiere); Beyond Words - Mime event and with press release (1981); The Lover by Harold Pinter and Lunch by Berkoff - Second Skin Theatre , London; One Big Blow by John Burrows and 7:84 Theatre Company England; Trafford Tanzi by Claire Luckham (1984). The Love of Don Perlimplin and Belisa in the Garden by Garcia Lorca - Operating Theatre Company (1984).

File of theatre programmes produced at Project Arts Centre Dublin during the 1970s and from plays attended by Carolyn Swift. Where a year of production is noted it is stated here. Programmes include: Pinter Review and The Collection by Harold Pinter presented by Two's Company (1975); Eight Jumps and a Pair of Wings by Joe Coughlan (1975); Romulus The Great by Dürrenmatt (1975); The Old Firm by Tom MacIntyre (1975); Knuckle by David Hare; The Rock and The Dream Box by Ulick O'Connor; Lulu by Frank Wedekind and adapted and directed by Agnes Bernelle (1975); Greek by Steven Berkoff; Outlook Unsettled by Mary Manning (1976); Behind the Green Curtain by Sean O'Casey (Irish premiere); The Sea Anchor by E.A. Whitehead (Irish Premiere); Lizzie Bordon in the Afternoon by Robert Henson; Maret/Sade by Peter Weiss; Says I, Says He by Ron Hutchinson; Dev by G.P. Gallivan (1977); Lenny Bruce directed by Michael Sheridan; Bats or Booze or Both? by Pat Ingoldsby; the Man Outside by Wolfgang Borchert (1973); The Hostage by Brendan Behan; The Hour Glass, The Words Upon the Window Paine, The Cat and the Moon by W.B. Yeats (1976); The Lady's Not For Burning by Christopher Fry; The Dark Lovers (Irish Premiere) by Ulick O'Connor; Motocar by David Pownall; Richard III Part Two by David Pownall and Paines Plough Theatre Company; Mothers by Sean Walsh (1974); Little Eyolf by Henrik Ibsen (1974); Call Me Daddy by Ernest Gebler (1975); Poor 'Ol Joe by John Lynch; Landscape and Silence by Harold Pinter; The Homecoming by Harold Pinter (1977); Interview by Jean Claude Van Italie and Metamorphix Productions; Dr. Faustus; The Only Jealousy of Emer by W.B. Yeats; The Bald Prima Donna by Eugene Ionescu; Under Plan Clothes by John Osborne; Article 5 by Brian Phelan; The Living room by Graham Greene.
Project Arts Centre Art Gallery Exhibition catalogue for Project '66 - '74. (1975).

File of theatre programmes from productions at the Princes Theatre London, attended by Carolyn Swift. Includes programme from a jazz musical of King Kong.

Printed programmes from various productions at The Palace Theatre, London, and attended by Caroline Swift.

File with theatre programmes of plays attended by Carolyn Swift at the Pike Theatre, Herbert Lane, Dublin, and produced by independent theatre companies at the Pike venue, including by Romar Theatre Productions, International Group Theatre Ltd., and Ophidia Ltd.

File of programmes from productions by Pigsback Theatre Company and from later productions when the company changed name to Fishamble Theatre Company. Programmes were collected by Carolyn Swift. Pigsback programmes include: Buffalo Bill Has Gone to Alaska by Colin Teevan (1993, Andrew's Lane Theatre); The Flesh Addict by Gavin Kostick; Sardines by Michael West at the Samuel Beckett Centre (1995); The Tender Trap by Michael West at Project Arts Centre (1992); Don Juan by Moliere and translated by Michael West at Project arts Centre (1990); Red Roses For Me by Joseph O'Connor (1995); The Ash Fire by Gavin Kostic (1992); Howling Moons Silent Sons by Deirdre Hines at Project Arts Centre (1991).

Programmes from Fishamble productions include: True Believers by Joseph O'Connor (1999); Wired to the Moon by Maeve Binchy (2000); The Y2K Festival - overview and schedule of series of productions by Fishamble, 2000.