Printed programmes from various productions at The New Theatre, St. Martin's Lane,, London, and attended by Caroline Swift.
Printed programmes from various productions at The Arts Theatre Club, London, and attended by Caroline Swift.
File of theatre programmes from productions at the Studio Theatre Club, 43 Mount Street. Includes typed history of the history which was founded and run by Madame Daisy Bannard Cogley, and with her son Fergus Cogley.
Printed programmes from productions by Storytellers Theatre Company and attended by Carolyn Swift. Programmes for Women in Arms by Mary Elizabeth Burke-Kennedy (2002); The Grapes of Wrath by John Steinbeck and adapted by Frank Galati (2001)
Printed programmes from various productions at St. James's Theatre, London, and attended by Caroline Swift.
File of theatre programmes from plays produced by the Society of Irish Playwrights and/or the Playwrights and Actors Company. Plays attended by Carolyn Swift. Programmes include: Wits, Rogues, and Dreamers by James Plunkett; Later by David Pownall at the Damer Hall, Dublin; Season of New Plays presented by Playwrights and Actors Company at the Gaiety theatre and Project Arts Centre, Dublin and which include The Boys of Summer by Neil Donnelly, The Case Against the Shilling, Temptation by Nick Dear, The Rat Part I by Wesley Burrows and Remembrance by Graham Reid; One For The Road by Willy Russell, Andrew's Lane Theatre; The Drunk, The Dog, The Lady, and The Lover by Gabriel Arout from Chekhov, Andrew's Lane Theatre, 1993; Nancy Cunard by Juliet Lacy and The Lithium Waltz by Barry McKinley; The Circus by Sean Walsh; Shady Ladies by Mary Halpin; A Death at 16 Prinz Regen Platz by Tom Walsh; Soldiers by Liam Mac Uistin.
Printed programme from plays produced by Smashing Times Theatre Company including Maeve Binchy, Steel Magnolia, and Bloomin' Women.
File of printed programmes from various productions at the Savoy Theatre, Strand, London, and attended by Carolyn Swift.
Printed programmes from various productions at the Royal Court Theatre by the English Stage Company, London, and attended by Caroline Swift. Programmes include: Look Back in anger by John Osborne (1956); Endgame and Krapp's Last Tape by Samuel Beckett (1958); The Lion in Love by Shelagh Delaney (1960); The American Dream and The Death of Bessie Smith by Edward Albee; The Changeling; Airs on a Shoestring; Lord Arthur Savile's Crime by Oscar Wilde; The Comedy of Errors by William Shakespeare; Famine by Thomas (Tom) Murphy.
File of programmes from productions by Rough Magic Theatre Company. Programmes collected by Carolyn Swift and include: Top Girls by Caryl Churchill and American Buffalo by David Mamet (1984); The Caucasian Chalk Circle by Bertolt Brecht (1985); Bat the Father, Rabbit the Son by Donal O'Kelly (1988); Our Country's Good by Timberlake Wertenbaker (Irish Premiere) 1989; Nightshade by Stewart Parker; I Can't Get Started by Declan Hughes (1990); The Dogs by Donal O'Kelly (1992); Digging For Fire by Declan Hughes(World Premiere, 1991); Love and a Bottle adapted by Declan Hughes from George Farquhar (1991); Hidden Charges by Arthur Riordan (1994); New Morning by Declan Hughes (World Premiere, 1993); Copenhagen by Michael Frayn (Irish Premiere); The Memory of Water by Shelagh Stephenson (2000); Dead Funny by Terry Johnson (2001); Three Days of Rain (2000); The Whisperers (1999); Tea and Sex and Shakespeare by Thomas Kilroy (1988); Serious Money by Caryl Churchill (1988); Spokesong by Stewart Parker (1990); A Handful of Stars by Billy Roche (1990)
Also includes programme from A Pull of Smoke by Peter Coke and Play Circle Productions with members of Rough Magic Theatre Company (1980s)