Showing 32609 results

Typescript 1st draft, script no. 5 of The Good Father by Christian O'Reilly. Cover page includes MS note "Marue Mullen's Draft".

Files of records relating the Irish touring production of "The Good Father" written by Christian O'Reilly and directed by Garry Hynes. Produced by Druid Theatre Company between 6 Feb - 31 Mar 2003. tour venues and dates includes Project Theatre, Dublin, 6th Feb – 1st March 2003 (previews 4th, 5th); Druid Lane Theatre, Galway, 3rd March – 8th March; Dunamaise Arts Centre, Portlaoise, 10th March – 15th March; Druid Lane Theatre, Galway, 17th March – 22nd March; Civic Centre, Tallaght, 24th March – 29th March; Glór Music Centre, Ennis
31st March – 5th April.

Files of records relating to the planning, production, administration and financing of "The Good Father" written by Christian O'Reilly and directed by Harry Hynes. Produced at Druid Lane Theatre, Galway as part of the Galway Arts Festival.

Printed programme from Druid Theatre production of the Good Father, written by Christian O'Reilly and directed by Garry Hynes. Includes images and cast and creative team member biographies.

The Golden Section Brass Ensemble. Concert held at the Great Southern Hotel, Galway. Includes printed concert programme with details of works performed and biographies on the ensemble members.

Production of five “Abbey” plays at the Greenwich Theatre, London.

Printed programme from Landmark Production of The Goat or Where is Sylvia? by Edward Albee and directed by Michael Caven and staged at the Project Arts Centre. Includes biographical article on Albee, article on the play by Albee and also biographies of cast members.

Production of The Goat by Edward Albee at the Gate Theatre, Dublin, designed by Joe Vaněk and directed by Michael Caven, produced by Landmark Productions. Irish premiere production.
Folder of material includes black and white printouts of internet images of architectural plans and photographs of home and city buildings interior and exterior; print-out of information on goats; list of props used in the production; pencil drawings of the set and stage by Joe Vaněk; provisional quotation of prices and costs for construction of set and for the materials used; biographical details on Joe Vaněk; photocopy of printed play programme for The Goat; provisional fit-up schedule; Call Sheet for rehearsals; photocopy of character outfits and costume designs by Vaněk; colour print-outs of set model; spreadsheet of production budget; email correspondence between Anne Clarke of Landmark Productions, Joe Vaněk, Michael Barker-Caven and Eamon Fox.
Also includes drawings and blueprints for set-design of The Goat, drawn by Joe Vaněk; pencil drawings and sketches; a swatch of white fabric.

Slides from presentation given by Pat Doyle on The goal of Community development; includes papers on community development.