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Archival description
The Idiots
UGA T/T27/1/21 · Item · 2007
Part of Theatre

Files relating to the production of The Idiots by Lars Von Trier, Directed by Gavin Quinn, Translated by Stephanie Kate Burgarth, Designed by Aedín Cosgrove and Andrew Clancy, Produced by Aoife White, Sound design by Ciaran Eaton & Jimmy Eadie.
File includes typescript of the play and also a separate annotated prompt script with all stage management and production information noted.
File 2 includes lighting plots, sound designs, and stage designs for the production and related stage management information.

The Idiots
UGA T/T27/2/16 · Item · 10/10/2007-13/10/2007
Part of Theatre

Printed programme from Dublin Theatre Festival production of The Idiots by Pan Pan, written by Lars Von Trier, directed by Gavin Quinn, Project Arts Centre Dublin. Includes article: 'From Ethics to Aesthetics: Gavin Quinn in Conversation with Sara Keating about "The Idiots"'; article entitled "Changing Places: Pan Pan's The Idiots in Context" by Rod Stoneman; a 'Festival Memoir' by Christopher FitzSimons, reflecting on the Dublin Theatre Festival. Also includes rehearsal images and cast and crew biographies from the production of The Idiots. Printed postcard flyer also included with details of preview performances of the play held at the Axis, Ballymun, Dublin.

UGA P/P134/12/1/2/9/93 · Item · [1937]-[1956]
Part of Personal

Notebooks containing notes for sermons written by Canon Hayes. Most of the notebook is empty. Two pages of sermon notes have also been inserted.

The Hunt Trio
UGA P/P91/5/2/84 · Item · 27/03/1983
Part of Personal

The Hunt Trio. Printed programme from the recital staged at the Aula Maxima, University College Galway. Includes details on the Hunt Trio, details of pieces to be performed and list of forthcoming events being staged by Music for Galway.

The Hunt Museum, Limerick
UGA P/P133/5/4/4 (1-2) · Item · 2004
Part of Personal

File includes extensive press cuttings of news coverage regarding the Hunt Museum, Limerick, and accusations made by the Simon Wiesenthal Centre, that many items in the Hunt collection were looted by the Nazi regime during World War II. The claims prompted an investigation led by former Supreme Court Judge, Mr. Justice Donal Barrington. Includes letters to the press by Etienne Rynne defending the Hunt family and collection against the claims; also letters to Rynne from Grainne Weir, Chair, Hunt Museums Trust (March 2004); Mairead Dunleavy, and others in response to Rynne's letter to the press. File also includes photocopy of manuscript diary entry by unnamed individual, during summer months of 1946.

File 2 relates to cataloguing work carried out at the Hunt Museum by Etienne Rynne and the UCG Archaeological Research Group. Includes photographic prints of objects catalogued, including axe and spear heads, among other objects; a booklet published on the Hunt Museum collection and written by Patrick F. Doran.

UGA G/G20/1/3/19 · Item · [1829]
Part of Gaeilge/Irish Language

Typescript of manuscript from Padraig Ó Cathain (Patrick Kane) from a book of Shéamuis Uí Thigharna from County Limerick, prose piece consisting of a dialogue between a Quaker and a Minister, decided by a priest.

UGA G/G20/3/3/2 · Item · [1829]
Part of Gaeilge/Irish Language

Typescript of manuscript from Padraig Ó Cathain (Patrick Kane) from a book of Shéamuis Uí Thigharna from County Limerick, prose piece consisting of a dialogue between a Quaker and a Minister, decided by a priest.

The Human Rights Council
UGA A/A44/20/25 · Sub-series · 2006
Part of Academic

Files relating to the structure, actions, goals and projects of the Human Rights Council, UN.

UGA P/P134/12/5/3/7 · Item · 01/06/1998-08/07/1998
Part of Personal

Slides from presentation on The Human Factor in community Development; includes lecture notes on getting and keeping members and community involvement; includes transparency sheets with lecture notes.

UGA T/T40/2/9/16 · Item · [n.d.]
Part of Theatre

File with typed and carbon copies of songs, lyrics, and notes on songs and production by Carolyn Swift from her play, The House of Pleasure.