Files relating to advertising work by Carolyn Swift for Employment Equality Association. Swift was engaged to write the scripts for radio advertisements for Employment Equality Association. Includes correspondence between Swift and the EEA discussing content, fees and costs, scripts of the ads, and flyers and annual reports from the EEA outlining their work.
File of receipts and invoices detailing advertising bought by Druid Theatre in local newspapers, such as the Galway Advertiser, New Galway Observer, and Connacht Tribune, to advertise current productions. Breakdown of costs for design work by Taheny Advertising for production of 'Same Old Moon' by Geraldine Aron also included. (1986) Other productions referenced regarding design and advertising include "Bailegangaire" (1986) "Dracula" (1986) "Conversations of a Homecoming" (1985); "A Whistle in the Dark" (1987) (A Touch of the Poet" (1987) "Waiting for Godot" (1987) and others.
File relating to invoices and receipts for costs incurred for advertising in Irish media by Druid Theatre Company. Includes statements for service provided by 'News Extracts'; BBC Scotland; Dead Cat Productions (relating to videoing of "The Beauty Queen of Leenane" (Feb 1996); The Kerryman; The Clare Champion; The Galway Advertiser; Galway Bay FM; Connacht Tribune; The Guardian; Fairgreen Flags and Banners; Junior Chamber Galway and The Irish Times.
File of records including the minutes of meetings and related correspondence and documents of the advisory board of Democratic Audit.
Papers, minutes and documentation for the Advisory Committee of the Role of Women in Agriculture initiated by the Department of Agriculture. Jim Quigley was a member of a sub-committee.
Report of the Advisory Group to the Irish Parliamentary Select Committee on European Affairs, 04/02/2003, with cover letter from Dympna Hayes, Secretary, to Mary Robinson, thanking her for her briefing to the group at a meeting on the 16th of December 2002.
File includes assorted lighting tech plans and documents. Includes lighting notes, correspondence and documents sent to Cosgrove by 'Stage Services North'; lighting tech plan for production of "Straight With Curves" by Cois Céim Theatre Company produced at Theatre Massalia (Sep 1996); drawing plan for 'UCG Theatre Fit Out' by Scott Tallon Walker (1997); Also catalogues, booklets, and price lists for lighting equipment by Rosco supply company.
File 2 includes assorted technical plans for a range of theatre venues in Ireland, including auditorium plans, lighting and tech drawings etc. for Andrew's Lane Theatre, Dublin; Everyman Theatre, Cork; Samuel Beckett Theatre, Trinity College Dublin; Nun's Island Theatre, Galway; City Arts Centre, Dublin; The National Concert Hall, Dublin; Droichead Arts Centre, Louth; Hawk's Well Arts Centre, Sligo; Mullingar Arts Centre; Town Hall Theatre, Omagh, Co. Tyrone; Triskel Arts Centre, Cork; Belltable Arts Centre, Limerick; Galway Arts Centre, Peacock Theatre, Dublin, and Traverse Theatre, Edinburgh.
File of letters, cards, and photographs relating to/sent to Aedín Cosgrove and from design work relating to Pan Pan and other theatre work. Includes expired passport (1999); contact sheets and prints of portrait headshot images of Cosgrove; 2 unlabelled family photographs; 2 polaroids featuring Cosgrove, [Eileen Walsh] and others, Letter from Cosgrove to Swedish theatre designer Elen Ruge, enclosing a copy of magazine on Swedish theatre design with interview with Ruge and Cosgrove indicating influence on her own design work; letter outlining Cosgrove's appeal for funding/support to travel and study under Ruge; Personal letters from friends and family sent to Cosgrove (1997); letter from Paul Bassett, Director of Mayfest Festival, Glasgow, inviting Cosgrove to participate in the festival (Apr 1995); Letter from Martin Fahy, General Manager of the Abbey Theatre, confirming Cosgrove's appointment as designer for "The Mai" by Marina Carr (March 1995) and from Fahy conforming Cosgrove as Lighting Designer for production of "Small City" by Clare Dowling (May 1995); fax to [Mary] at Teatro Potlach re. design spec (1996); Fax with offer of design work to Cosgrove from National Theatre of the Deaf (Jul 1997); Letter from Rupert Murray, Festival Co-ordinator of the Beckett Festival at the Gate Theatre Dublin, thanking Cosgrove for her work on the festival (25 Oct 1991); Miriam Lambert to Cosgrove thanking her for design work for Lambert Puppet Theatre (Jul 1991); Letters of job reference for Cosgrove from work at David and Charles Bookshop, London; Trinity College Dublin (Research Assistant role) (May 1991); letter re. Pan Pan tour to Krakow, Poland.
Text of professional biography of Cosgrove also included.
Three notebooks, 2 A5, 1 A4, with manuscript notes on design, contacts, reminders, lighting and tech notes. Includes prop list and notes for production of Phaedra's Love (1997)