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Typescript draft or rehearsal script of Thomas Kilroy's adaptation of Ibsen's Ghosts. Also marked "typed by Michael Scott", and a shortened version of the former two scripts with his name. With few handwritten annotations in Kilroy's hand, including names of a cast from [a theatre workshop in Macroom in 2001] - among them Mary Curtin, [Dermod] Gallagher, Alf McCarthy. [Same names appear in Brown Penny script; P103/ 166.]

Typescript [draft] one-act play by Tom Gallacher entitled Mr. Joyce is Leaving Paris. Listing a Dunbartonshire address for the author.

Typescript draft of 'Words As Sweet as Honey' ( The Guardian version of 'The Devil Finds Work for Idle Hands') beginning 'I came to write through reading.' Contains handwritten amendments.

Typescript draft of 'Words As Sweet as Honey' ( The Guardian version of 'The Devil Finds Work for Idle Hands') beginning 'I came to write through reading.' Contains handwritten amendments.

Typescript draft of 'Words As Sweet as Honey' ( The Guardian version of 'The Devil Finds Work for Idle Hands') beginning 'I came to write through reading.' Contains handwritten amendments.

Typescript draft of 'Words As Sweet as Honey' ( The Guardian version of 'The Devil Finds Work for Idle Hands') beginning 'I came to write through reading.' Contains handwritten amendments.

Typescript draft of 'Wheels' beginning 'Grey concrete and steel and glass and the slow raindrip of the morning station, three porters pushing an empty trolley up the platform to a stack of grey mailbags....' Inscription reads 'First draft', no other inscriptions or amendments, paginated pp 1-18.

Typescript draft of 'Wheels' this draft bears the title 'My Future At My Back', begins 'Grey concrete and steel and glass in the slow raindrip of the morning station, three porters pushing an empty trolley up the platform to a stack of grey mailbags....' Contains handwritten amendments, inscription reads 'draft # 1st'. Typescript identical to P71/364, 'My Future At My Back', paginated pp 1-18.

Typescript draft of 'Wheels' bearing the title 'The Future That I Had'; begins 'Grey concrete and steel and glass in the slow raindrip of the morning station, three porters pushing an empty trolley up the platform to a stack of grey mailbags, the loose wheels rattling, and nothing but wait and watch and listen, and I listened to the story they were telling.' Contains handwritten amendments paginated pp 1-10.

Typescript draft of 'What Ever You Say, Say Nothing' beginning 'There were two sectarian states in place, North and South, inward looking and ostensibly secure, secretly content with one another despite public claims and utterances.' Contains handwritten amendments, paginated pp 1-19. Reverse side contains typescript fragments from Amongst Women .