Fragment of typescript draft of Thomas Kilroy's Christ Deliver Us! , Act 2. Including a list of "remaining scenes". [Paginated 1-70. It is possible that this is referred to in a letter of 11 December 2000; see P103/ 312.]
Typescript draft of Thomas Kilroy's Christ Deliver Us! , Act 2. [Paginated 54-88.]
First entire typescript draft of Thomas Kilroy's play Christ Deliver Us! [Paginated. Handwritten note on the original folder points out that this version still misses the character "Vivie", added later.]
Typescript draft ("rough draft") of Thomas Kilroy's play Christ Deliver Us! , with title cover and "projected list of characters". With a few handwritten corrections; ending of Act 2 much revised [Paginated 1-87.]
Typescript draft of Thomas Kilroy's Christ Deliver Us! , Act 1. First inclusion of the character "Vivie". [Paginated.]
File of documents relating to a planned production of Thomas Kilroy's play Christ Deliver Us! , by Classic Stage Ireland. Containing correspondence between CSI artistic director Andy Hinds, Dr Dan Farrelly (advisor on the original German play); printed documentation of CSI's production of Shakespeare's Twelfth Night ; press cuttings discussing the withdrawal of funding by the Arts Council. Correspondence contains commentary on Kilroy's departure from Wedekind's Spring Awakening , and his treatment of teenage sexuality.
File of documents relating to Thomas Kilroy's first offer of his play Christ Deliver Us! to the Abbey Theatre. Comprising correspondence between Kilroy, his literary agents, Judy Friel and Ben Barnes at the Abbey Theatre; a draft of the first part of the play (32 pp), dating to September 2000. Including Ben Barnes's letter rejecting the play (2 March 2000); Judy Friel calling it an "error of judgement" (undated).
File of records regarding the Abbey Theatre production of Thomas Kilroy's play Christ Deliver Us! , running 9 February - 14 March 2010. Directed by Wayne Jordan, starring Aoife Duffin, Tom Hickey, Aaron Monaghan. Comprising correspondence between Thomas Kilroy, his literary agents (only one item), Ben Barnes and Judy Friel of the Abbey Theatre, with early feedback and discussions of scenes; two scripts of the play (2008 workshop script with notes 101 pp; rehearsals script with schedule and notes 103 pp); full documentation for 2009- auditions ; programmes and fliers from the Abbey production; correspondence from the public, the cast, and friends; press cuttings with reviews of the play. Including a letter from audience member Sylvia Kennedy who contrasts life in the country as depicted in the play, and her upbringing in Dublin (2 March 2010); praise from Judy Friel (10 March [2010]) and others.