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Typescript transcript from a tape recording of Arthur Shields reminiscences from his time with the Abbey and touring North America, contains handwritten amendments. Also attached is a hand written list of cast members and plays from the 1934-1935 tour.

Typescript television play by Thomas Kilroy entitled Come, Let us Kiss and Part . Set in a university town, listing eight speaking parts. [Paginated 1-53, with an insert. Listing literary agent as Margaret Ramsay Ltd.]

Typescript summary of Music for Galway's Activities for 1983. Includes details of membership, a breakdown of all events organised and staged and further comments on goals of the group. 2 items, 6 pp [1983]
Manuscript notes detailing names of volunteers and those who contribute on varying levels to Music for Galway. 2 items, 8 pp
Typescript job descriptions for committee and board member positions of Music for Galway. 1 item, 4 pp [1983]
Manuscript notes of 'To Do' list of tasks regarding membership, newsletter, programme, artists, recitals and tickets. Undated, from circa early - mid 1980s. 1 item, 4 pp Sep 15 1983
Typescript Notice of AGM [of Music for Galway] taking place at Salthill Hotel. Includes details of Agenda and further details of vacant positions on the Committee for Music for Galway and also notes on the proposed restructuring and revised job descriptions of the Committee members, owing to the fact that "The organisation's activities have become increasingly diverse over the past two years. . " 1 item, 4 pp

Typescript statement of Frank Lagan before [a notary] on his involvement as an RUC officer in the lead up to, and events of, 30 January 1972 ('Bloody Sunday') in Derry, and on his further observations of activities on the day. The statement (18 pp) encloses 9 attachments (38 pp). Enclosing copy of most of the attachments to the report. (With yellow underlinings by [Eamonn Downey] throughout the main body of the document.)

Typescript Statement of Accounts of Music for Galway, prepared by and signed off on by Aideen MacInerney, Chartered Accountant. Includes Auditor's Report, Report of the Directors, Profit and Loss Account, Balance Sheet, Notes on the Account, Schedules - Income and Expenditure, schedules to Income and Expenditure accounts. Also includes notice and agenda of Annual General Meeting of Music for Galway taking place on 24th Apr 1994 and also notice of cheque received by Music for Galway from the Arts Council for the amount of £1,000. (Dated 5 Dec 1993)

Typescript statement of accounts for the Music for Galway Group for events performed at and held during the Galway Arts Festival. Photocopy of document also included.

Typescript statement of accounts for Music for Galway for the year ended 31 Aug 1990. Signed off on by Aideen MacInerney, (5 Dec 1991) Chartered Accountant and by Claire Cuddy and Jane O'Leary, Directors of Music for Galway. Document includes Auditor's Report, Report of the Directors (of MFG) Profit and Loss account, Balance Sheet, Statement of sources and applications of funds, notes on accounts, income and expenditure account and schedules of income and expenditure account. (Also includes typescript letter from Jane O'Leary of MFG to Aideen [MacInerney] detailing queries and corrections regarding the accounts. Letter is dated 30 Apr 1991.

Typescript "shooting script" of Thomas Kilroy's television play Farmers, with front matter listing the six actors, the Ráidió Teilifis Éireann production staff, recording dates and location. With extensively modified structure (87 scenes or more), and rewritten dialogue. [Paginated 3-38. Missing pp 1-2, and last page(s).]

Typescript "second draft" of Thomas Kilroy's adaptation of Luigi Pirandello's Enrico IV , entitled Henry - a play (inspired by Pirandello's Enrico IV , in two acts, with title page and list of characters, and extensive handwritten corrections and annotations. [Paginated 1-77. Marked by hand, and on the author's list, as a script for a production meeting in Stephen Rea's house, for the PICT production.]

Typescript screenplay entitled Revenge by Walter Hill and David Giler, based on the novella by Jim Harrison.