File includes typed script of the play, marked on cover page "Re-Write - Rehearsal Script August 1996" and contains extensive edits and re-written sections throughout. Also printed flyers from the original Cork production of the play with details of cast and crew and touring venues. Also printed flyer from later Irish and UK tour, with venues including Nun's Island Arts Centre as part of the Galway Arts Festival, Traverse Theatre as part of Edinburgh Fringe Festival, the Bush Theatre London, Project [Arts Centre] @ the Mint, Dublin, Old Museum Arts Centre as part of Belfast Arts Festival.
File also includes photocopies of press cuttings of coverage for Disco Pigs from Irish national and regional media in 1996.
Manuscript A4 loose-leaf pages with lighting/design notes by Aedín Cosgrove.
Issue of 'Budapest Week', as Disco Pigs is produced in Budapest, Romania (Cillian Murphy on magazine cover), also tourist map of Budapest.

Files relating to lighting design by Aedín Cosgrave for Disco Pigs. Includes lighting design for the original and touring Irish and touring productions of the play. Correspondence, Fax and Letters, with Cosgrove and theatre/technical managers at various producing venues of Disco Pigs. Includes discussions on technical specifications of venues, including the Hawk's Well Theatre, Sligo; The Arts Theatre, London; International Buda Stage Theatre, Budapest, Romania; Traverse Theatre, Edinburgh; Warwick Arts Centre, Coventry, UK; Bonner Biennale, Bonn, Switzerland; Harbourfront Centre, Toronto, Canada; Du Maurier Theatre Centre; Schauspiel, Bonn;
Detail on lighting costs, fees, and budget;
Agreement with Assembly Theatre, Edinburgh re. technical set-up 1998;

File also includes letter from the Lord Mayor of Cork, Dave McCarthy and Cork Corporation inviting Cosgrove to a Civic Reception in honour of Corcadorca's recent awards (Oct 1997).

File of lighting plan designs by Aedín Cosgrove and venue technical plans for various venues as part of the Disco Pigs Irish and UK tour. General touring lighting plans and also specific venue lighting plans for Disco Pigs at Project [Arts Centre] @ the Mint, Dublin; Warwick Arts Centre, Coventry, UK; 'Druid Arts Centre Galway' (Note, likely Nun's Island Arts Centre Galway'); Bush Theatre, London.

File relating to "Sucking Dublin" written by Enda Walsh, with set and costume design by Aedín Cosgrove. Includes two scripts of the play, one labelled "Workshop Draft" (36pp) and including rough sketches on end page. Second script is labelled on cover as being "....the result of the week long workshop held in Dublin on the week of the 9th of June of the Sucking Dublin workshop draft." (39pp).
Manuscript list of costume requirements, list of set pieces, and list of props needed for the play; Letters of contract made between Cosgrove and the Abbey Theatre, for design work for Sucking Dublin (Aug 1997); Rehearsal schedule; Typescript of poem "Edinburgh Man".
File also includes outsize set design plans for Sucking Dublin.

File relating to design and production of "Breathing Spaces", a script devised by Ken Bourke, co-produced with Theatre West Glamorgan, Wales and Gallowglass Theatre Company, First performed at the Church of Ireland Parochial Hall, Clonmel, County Tipperary, lighting design by Aedín Cosgrove.
File includes manuscript notes on design by Cosgrove, lighting plan and designs for the play, touring theatre dimensions for each touring venue, rehearsal schedule, cue sheets, and lighting tech spec lists.

File relating to production and development of "Hamelin" ("A chamber orchestra in two acts") by Pan Pan Theatre company, directed by Gavin Quinn, set design by Andrew Clancy, lighting by Aedín Cosgrove. Includes script of the play with manuscript notes and writings throughout; accommodation list for the Sept 2003 tour of Hamelin; rehearsal and production schedule; technical specifications; various lighting plans (draft and finalised) by Cosgrave; costume design notes; draft set drawings; correspondence to Cosgrove re. design from company manager of Opera Theatre Company; images of cast members; auditorium tech spec for venues including the Samuel Beckett Theatre, Trinity College Dublin, and relate design drafts and materials for the production of Hamelin.
Also (outsize) original costume drawings for Hamelin, with attached fabric samples, for character of the Cripple, the Mayor, and [Dolor].

File from Dublin Youth Theatre production of "Haunted - A Free Theatre Spectacle" directed and designed by John Farrell and Bill Wertz. Includes production schedule, index to locations and timespan of locations in the play; Notes from production meeting; Memorandum of Agreement made between Dublin Youth Theatre and Temple Bar Cultural Properties for use of production space (Aug 1994); Press release on the play; Correspondence to Gardaí and other authorities outlining details of the performance which will take place in public spaces.
Also includes press release / cast and production details for "The Weight of the World", a summer project, Pan Pan Theatre in association with the National Association for Youth Drama.

File of letters, cards, and photographs relating to/sent to Aedín Cosgrove and from design work relating to Pan Pan and other theatre work. Includes expired passport (1999); contact sheets and prints of portrait headshot images of Cosgrove; 2 unlabelled family photographs; 2 polaroids featuring Cosgrove, [Eileen Walsh] and others, Letter from Cosgrove to Swedish theatre designer Elen Ruge, enclosing a copy of magazine on Swedish theatre design with interview with Ruge and Cosgrove indicating influence on her own design work; letter outlining Cosgrove's appeal for funding/support to travel and study under Ruge; Personal letters from friends and family sent to Cosgrove (1997); letter from Paul Bassett, Director of Mayfest Festival, Glasgow, inviting Cosgrove to participate in the festival (Apr 1995); Letter from Martin Fahy, General Manager of the Abbey Theatre, confirming Cosgrove's appointment as designer for "The Mai" by Marina Carr (March 1995) and from Fahy conforming Cosgrove as Lighting Designer for production of "Small City" by Clare Dowling (May 1995); fax to [Mary] at Teatro Potlach re. design spec (1996); Fax with offer of design work to Cosgrove from National Theatre of the Deaf (Jul 1997); Letter from Rupert Murray, Festival Co-ordinator of the Beckett Festival at the Gate Theatre Dublin, thanking Cosgrove for her work on the festival (25 Oct 1991); Miriam Lambert to Cosgrove thanking her for design work for Lambert Puppet Theatre (Jul 1991); Letters of job reference for Cosgrove from work at David and Charles Bookshop, London; Trinity College Dublin (Research Assistant role) (May 1991); letter re. Pan Pan tour to Krakow, Poland.
Text of professional biography of Cosgrove also included.

File includes assorted lighting tech plans and documents. Includes lighting notes, correspondence and documents sent to Cosgrove by 'Stage Services North'; lighting tech plan for production of "Straight With Curves" by Cois Céim Theatre Company produced at Theatre Massalia (Sep 1996); drawing plan for 'UCG Theatre Fit Out' by Scott Tallon Walker (1997); Also catalogues, booklets, and price lists for lighting equipment by Rosco supply company.
File 2 includes assorted technical plans for a range of theatre venues in Ireland, including auditorium plans, lighting and tech drawings etc. for Andrew's Lane Theatre, Dublin; Everyman Theatre, Cork; Samuel Beckett Theatre, Trinity College Dublin; Nun's Island Theatre, Galway; City Arts Centre, Dublin; The National Concert Hall, Dublin; Droichead Arts Centre, Louth; Hawk's Well Arts Centre, Sligo; Mullingar Arts Centre; Town Hall Theatre, Omagh, Co. Tyrone; Triskel Arts Centre, Cork; Belltable Arts Centre, Limerick; Galway Arts Centre, Peacock Theatre, Dublin, and Traverse Theatre, Edinburgh.

File of assorted outsize plans and technical drawings of theatre spaces in Ireland, including the Hawk's Well Theatre, Sligo;
Also some lighting plans for theatre productions worked on by Cosgrove including "The Mai" by Marina Carr, produced at the Peacock stage at the Abbey Theatre (Sept 1994), Front elevation of sections drawings for "The Mai" by Marina Carr, Abbey Theatre (1994); Lighting design by Cosgrove for "You Should Thank God, Fasting, for the Love of a Good Man", directed by Brian Brady (Nov 1994).

File 2 includes technical plans, press releases, overviews, and flyers for productions at the Players Theatre Trinity College Dublin, mostly being various student productions (early 1990s).