Print out of email correspondence between Joe Vaněk and others involved in the Tiger Fringe Festival production of Grounded, directed by Selina Cartmell. Email between Vaněk and Selina Cartmell, Marie Rooney (both Siren Productions); Marcus Costello, Production Manager, Tiger Dublin Fringe; David Cunningham, Lighting Designer; external suppliers discussing the costs and design of flight suits as used as costumes in the play and general discussion around costumes, lighting, sound and stage design. Includes photographs of set model for Grounded.
Printed document
5538 Archival description results for Printed document
Daily rehearsal reports with notes and comments from rehearsals for Knives in Hens. A rehearsal and performance schedule also includes.
File of print-out email correspondence between Joe Vaněk and others including Anne Clarke (Landmark Productions) Alan Gilsenan, director; Eamonn Fox, designer; Nik Quaife, Marketing and P.R; and others including Colm O'Callaghan, Sinead Wallace, Brendan Galvin, Catherine Walker, Eleanor Dawson, Rachel Murray and Vincent Regan.
File includes a range of costume fabric considered for use in costume design in The Price. File also includes design plans, set plans and notes and correspondence regarding design matters by Joe Vaněk.
File includes notes from production meetings of Boston Marriage; prop list of items for use in the play; manuscript research notes by Vaněk on aspects of design for the play, including costs and budget; details of fabric expenditure for wardrobe; list of furniture items; draft pencil stage/set drawings by Vaněk; colour photographs of the set model-box; colour pencil costume design drawings; draft technical set spec drawing; printed technical drawing; section of Project Arts Centre; assorted draft transparency drawings; lighting and technical specification plans for Project Arts Centre.
File includes colour and black and white photographs from the production of The Secret Fall of Constance Wilde, written by Thomas Kilroy, directed by Patrick Mason and designed by Joe Vaněk. Some photographs were taken by Amelia Stein. Also printed play programme from the Abbey Theatre production of the play.
Assorted fabric samples and colour costume drawings by Joe Vaněk for characters in Miss Julie. Also includes printed programme from the production; Also includes outsize drawings and plans for set and stage design of Miss Julie drawn by Joe Vaněk at Project Arts Centre, 'Space Upstairs'.
File includes printed press release by the Gate Theatre regarding its 2001 season of productions; assorted black and white copy images used in research by Joe Vaněk in design of the play; rehearsal reports of rehearsal sessions for The Shape of Things; Initial Furniture/Props/Costume issues; draft pencil sketches and drawings of the set by Joe Vaněk; Colour photographs of building interiors and exteriors; press cuttings of reviews of the play and news coverage of the Gate Theatre, generally, such as the funding of new facilities at the Gate; Manuscript notes by Joe Vaněk entitled Provisional Costume Breakdown; Colour photographs of the set model-box designed by Joe Vaněk; flyer from the Gate production; Copy of TS production schedule, with MS notes by Joe Vaněk; letter from Joe Vaněk to [ ] regarding watches and other costume design queries; Prop and Dressing list for production of The Shape of Things at the Gate Theatre.
Research files relating to set design by Joe Vaněk for the production of Bash, written and directed by Neil LaBute, produced at the Gate Theatre, Dublin.
File relating to production of Arcadia, written by Tom Stoppard, directed by Patrick Mason and design by Joe Vaněk, produced at the Gate Theatre, Dublin. Research folder includes draft sketches and drawings by Vaněk for various aspects of set design and furniture items; colour photographs and print-outs of images taken by Vaněk of interior architectural features; colour photographs of the set model box designed by Vaněk; Email correspondence from Joe Vaněk and Val Keogh, Gate Theatre, discussing design for the play; manuscript notes by Vaněk and scene breakdown with detail of design; production schedule; and outsize blueprints and plans for the stage design of Arcadia.