Printed programme from opera Theatre Company production of 'High Fidelity' by Haydn, adapted by Gerard Stembridge. Includes synopsis of the opera, information on the cast and crew members and also Opera Theatre Company. Articles on the history of the opera also included.

File include a photograph (from the Cross of Patrick and Columba detail), Kells, Co. Meath, from the National Parks and Monuments Branch, and also assorted press cuttings of articles relating to high crosses in Ireland.

Black and white photograph of high cross at Drumcliff, Co. Sligo.

Black and white photographs of High Cross, Donoaghmore, Co. Tyrone. Negatives included.

File includes black and white photographic prints of high cross slabs at Clogher, Co. Tyrone.

Edition of the newspaper Hibernia - Fortnightly Review. Cover story is "The Strasbourg Report - The Men Behind the Terror".

Printed programme from operas "Herodiade" by Massenet and "La Rondine" by Puccini, as part of the Anna Livia International Opera Festival, Dublin. Includes notes and articles on the opera and images and biographies of cast members.

Correspondence between Etienne Rynne and Executive Travel Los Angeles regarding the planning and scheduling of "Art and Antiquity Study Tour of Ireland", also correspondence with USIT Tours, regarding tour planning and heritage tours. Also includes letters between Rynne and others discussing heritage tourism is Ireland. Includes printed brochure produced by 'Executive Travel Services' and entitled "The Treasures of Ireland - A Summer of Art Study Tour in Ireland".

Letters regarding the writing of an obituary for Henry Wheeler by Etienne Rynne, for the Cambrian Archaeological Association, (C.A.A.).

Printed programme from Royal Shakespeare Company/Roundhouse production of "Henry VI" by William Shakespeare and directed by Michael Boyd, staged as part of "The Histories" series. Includes articles "But then are we in order when we are most out of order" - Jonathan Bate on the oppositions that unify the trilogy; "Henry VI - Parts I, II & III - Director's Note; synopsis of the play and of each play in the series; article "Mirrors for Princes" - Andrew Hadfield on the traditions and precedents behind the trilogy; "The Ensemble" - Geoffrey Streatfeild describes the experience of working as part of the ensemble on the Histories cycle; "Dangerous Parallels" - Clare Asquith on the analogies in the trilogy to events affecting Shakespeare's lifetime; pedigree's of the Houses of Lancaster and York; images from rehearsal and also images and biographies of cast and production crew members.