Material relating to production of Innocence, The Life of Caravaggio by Frank McGuinness, produced at the Gate Theatre, Dublin, directed by Patrick Mason and designed by Joe Vaněk. File includes a range of colour photographs from production and also artwork such as [draft poster] for the play.

Flyer entitled "Inside Apartheid's Jails: Three dramatic accounts from south African political prisoners", advertising a range of booklets for sale by various authors.

File of documents relating to the Institute for British-Irish Studies. Includes documents such as working papers published by the IBIS, "Building Government Institutions in Northern Ireland - Strand One Negotiations" by Deaglán de Bréadún and "Implementing Strand One" by Steven King (Working Paper No. 11).

Summary booklet of report compiled by the Institute of Public Policy Research, by Sarah Spenser and Ian Bynoe. The report is entitled "A Human Rights Commission: The Options for Britain and Northern Ireland."

Correspondence and policy documents between Druid Theatre (Jane Daly) and Adrian J. Glynn & Co., General and Life Insurance Brokers, relating to insurance policies of Druid Theatre Company, includes documents on production and venue insurance as well as touring insurance.

Typescript report/proposal for the 'Integra' Project devised by Macnas. Cover of the document is entitled 'Message in a Box'. Includes rationale and overview of the project, its various components, staffing, outcomes and budget/costs. Two copies present.

File of documents relating to the Interights training programme, 2002, entitled 'Right to Privacy, Protection of Property, Access to Court from a Non-Discrimination Perspective; Includes overview of the semester with weekly topics and reading lists of ma

Edition of 'International Affairs" (Vol 71, No. 2, Apr 1995) and includes an article "The Peace Process in Northern Ireland" by Kevin Boyle and Tom Hadden.

Files include programmes from international arts and theatre productions, from events in France, Belgium, Spain, United Kingdom and other countries during the 1980s and 1990s.

File including a proposal for the creation of International Centre of Art and Culture for the Deaf; letter from the International Visual Theatre (who run the above named centre) to Gavin Quinn updating Pan Pan on upcoming events in their deaf theatre production programming; programme cover image from a sign language production of Sophocles Antigone; and printed newsletter of the International Visual Theatre, Vincennes, France. 1998.