Contact sheet and corresponding negative sheet containing 12 images.

Stills from the short film 'Detour' co-written by Robert Quinn. The images are stills from a fight scene in woods, and feature a man being kicked and beaten. A Cinegael stamp is on the back of the contact sheet.

Contact sheet and corresponding negative sheet containing 12 images.

Stills from the short film 'Detour' co-written by Robert Quinn. The images are stills from a fight scene in woods, also included are photographs of a boy wearing a gas mask, and contrasting imagery of a still lake. A Cinegael stamp is on the back of the contact sheet.

12 images on negative and contact sheets.

Photographs of Marcus in the lake, and some boys paddling on a raft.

Up close photographs of Desmond Fennell.

Study style nature photographs.

Contact sheet and corresponding negative sheet containing 15 images.

Portrait, head and shoulders images of Desmond Fennell. He is photographed against a dark background, and is captured from different angles with a ponderous expression.

7 images on negative and contact sheets. (15 images on the negative)

A workman putting down floors. Photographs of Desmond Fennell sitting by his laptop, wearing glasses, with a serious expression.

30 images on negative and contact sheets.

Some photographs of Desmond Fennell taken from the side, he is smoking a pipe.

Black and white photographs of Desmond Castle, Adare, Co. Limerick.

File of colour photographs taken by Joe Vaněk during production of Desire Under the Elms, written by Eugene O'Neill and produced at the Greenwich Theatre, London. Designed by Joe Vaněk.

Contact sheet and corresponding negative sheet containing 12 images.

Images taken in Derry in 1969. Photographs of soldiers behind a barbed wire barricade, a boy on a rooftop in Derry with a scene of buildings and smoke below, street debris, and photographs of wall graffiti, with the slogans “We are the People”; “We want better odds, signed Ned Kelly”, “Vote McCann”.

34 images on negative and contact sheets.

Photograph of Donncha and Mary Ó hEallaithe, with Sue and Michael Fahey.

Photographs of Dermot Nestor holding one of his sculptures, a clock in the top of a high cross.