Typescript of poem entitled "Samhall sa Spideal" by Colbert Kearney [in Irish].

Typescript of poem with handwritten amendments entitled "To John Keats", by Colbert Kearney, dedicated to ERW, as well as "In Transit".

Handwritten draft of a piece on visiting the Martello Tower in Sandymount associated with James Joyce.

Two drafts of a typescript of a poem entitled "To John Keats" by Colbert Kearney.

Typescript of poem entitled "The Night" by Colbert Kearney.

Typescript copy of poem by Colbert Kearney entitled "The Will and Testament of Larry Lynch".

Typescript of two poems by Colbert Kearney, "Boys swimming in the Grand Canal at Mount Street Bridge" and "Diarmaid to Grainne".

Letter from Colbert Kearney, King's College, Cambridge to Eugene Watters stating that he is back in Cambridge, describing the weather as typically fennish; "none of the graces but all of the defects of Irish midlands". He is transferring from the fine arts to the English faculty. He plays a bit of rugby and soccer and reads a lot, picking up bits and pieces on B R Haydon. He says the Library is outstanding and that the College is politicised in the "Schoolboy" sort of way. He had Una's little oil-painting (Esker Bridge) hanging in his room.

Letter from Colbert Kearney, King's College, Cambridge to Eugene Watters, saying that he is delighted to hear from him and that the work is going well also. Says he supervisor has just put out a book on Shakespearean audiences, and that she has suggested he write a comparison of Haydon and Hazlett, so he has to go through 25 volumes of prose. He says he will save the rest of his news for when he visits him in the summer.

Letter from Colbert Kearney, King's College, Cambridge to Eugene Watters, commenting that he feels like a heretic in a Cistersian Abbey, as 90% of the students are away. He comments that Spain was great, and that he enjoyed his visit to Barcelona in particular. The only interesting thing about Madrid in his eyes was the Prado. Asks how he is getting on.