Showing 49721 results

Files relating to the financing of the production and distribution of "Reefer and the Model" produced by Berber Films. Files include correspondence between Lelia Doolan, Joe Comerford both of Berber Films and with others including Film Finances Ltd., Hemdale Film Corporation, and others regarding financing of the production.

File of Telex communications between Lelia Doolan and others including prospective film financiers, including Tony O'Reilly, discussing production, funding, and distribution for "Reefer and the Model". Also letters between Doolan and various others re. sponsorship.

File of correspondence between Lelia Doolan and various production companies and individuals regarding the financing and distribution planning for Reefer and the Model. Letters present between Doolan and Columbia Pictures Television; Denis O'Brien and Tony O'Reilly; Virgin Films Ltd.; Dermot Desmond; London Cannon Films Ltd.; Alpine Pictures; Charter Film Production, London; World Film Services INC.; Island Alive INC.; National Film Finance Corporation, London; Spectra Film, Ontario; Thorn EMI Screen Entertainment; Office of the Minister for Finance; Goldcrest Films; Safir Films, London; Enigma Films, London; Film House, Dublin; Rank Film Distributors; British Screen Finance Ltd.

File of letters between Lelia Doolan of Berber Films and members of Channel 4 / Film 4 television including Con Leventhal, (Head of Programme Acquisition, Channel 4); Morag Naylor (Senior Programme Acquisition Executive), Jeremy Isaacs (Chief Executive, Channel 4); David Rose (Senior Commissioning Editor for Fiction, Channel 4); Michael Algar and others at the Irish Film Board, re. financing and production of Reefer and the Model; re. appointment of Film 4 International as sales agent for international film rights for Reefer and the Model; correspondence between all parties with comments and feedback on the script of Reefer and the Model and wider correspondence between Berber Films and Channel 4. re. technical information sheets, agreements, financing and related production matters.

File of letters between Anglo-Irish Bank and Lelia Doolan and Joe Comerford of Berber Films via respective legal representatives. re. finance and accounts for the film Reefer and the Model.

File of letters between Allied Irish Bank (AIB) and Lelia Doolan and Joe Comerford of Berber Films via Edward McGarr Esq. re. finance and accounts for the film Reefer and the Model.

File of finance and budget material of Berber Films and relating to production of Reefer and the Model. Includes bank account statements, invoices of costs incurred during filming, cheque book ledgers, correspondence with banks, statements of distribution costs, and other related financial material.

Contact sheet and corresponding negative sheet containing 22 images.

Behind the scenes photographs from the 1988 film, 'Reefer and the model'. Scenes from the film on a boat, and photographs of Joe and Carol Comerford, Joe Comerford was the writer of the film.

Photographs of Marcus as an infant being fed.

Details of the redundancy payments for the Community Development Officers employed for the E.E.C. project

[This series contains outdated attitudes or language that does not reflect the current views or positions of the University of Galway Library. Reader discretion is advised.]
Transcripts and abstracts of ten letters written by linen traders Rowland, William, and Roland (cousin of Rowland, note spelling) Redmond from the United States between 1859 and 1875, mainly to their relative William Young (nephew of William Redmond and cousin of Roland) in County Antrim, plus PRONI’s catalogue of the entire Redmond letter collection.
Rowland Redmond), based in New York and later in Savannah, Georgia, offers his opinions on the American Civil War, stating that the North should not reunite with the South in order to be rid of Southern racism. Per Kerby A. Miller: ‘The few letters copied here are part of a huge collection of Redmond family letters. However, I have a photocopy of the calendar for the entire collection, so as to put these few in context, and generally the letters are extremely boring, transatlantic business letters, with endless quotations of linen and stock prices, etc. They might be very valuable for a study of transatlantic business, but not for this purpose.’