Transcripts of a letter written by an Irish emigrant working in Salem, Massachusetts to his cousin Joseph Moore in Ireland.
Transcripts and extracts from the anonymous journal of a passenger aboard the ship Glasgow which sailed from Liverpool to New York during the final three months of 1833. Also included are Kerby A. Miller's notes on the journal. Per Miller: 'The writer was a young man, going to America in search of "a situation." His home seems to have been in Belfast. He wrote the journal for his mother, and was lonesome for her... ...Certainly, the people on board this vessel were extremely disagreeable. The Captain, an American, had a violent temper, cursed and flogged his crew for the slightest trifles, a cruel SOB, frequently drunken. The author's fellow cabin passengers, a mixture of Irish, Irish-American, and English, were drunkards and boors, but considered themselves superior and remained aloof from the second cabin and steerage passengers. The "second cabin" on this ship was no more than a canvas sheet separating the hold into two compartments. The steerage passengers were poor Irish. The major theme of the voyage was tedium, boredom, and countless small irritations, magnified by their situation; "there is no such thing as incident among us .... we all just eat and drink and sleep." They all had a great deal of trouble about food.'
Autobiographical letter published as an article, 'An Irish Emigrant's Experience of America', in the 12 March 1857 edition of the Cork Constitution from an Irishman who emigrated in 1849 and is now settled with his family in St. Peter, Minnesota on a farm following some time in Connecticut attending normal school. The author also provides sociopolitical observations on the Irish in America.
Autobiographical letter published as an article, 'An Irish Emigrant's Experience of America', in the 12 March 1857 edition of the Cork Constitution from an Irishman who emigrated in 1849 and is now settled with his family in St. Peter, Minnesota on a farm following some time in Connecticut attending normal school. The author also provides sociopolitical observations on the Irish in America.
"Anorak of Fire". Comedy performance from Gus Gascoigne, held at the Taibhdhearc Theatre, Galway. Image is a close up of Gascoigne wearing a hooded jacket. Image measures 252mm X 203mm and includes a white border.
Audio CD of "Another Country - John McGahern" with Stephen Rea, producer Frances Byrnes, Radio 3, December 1, 2002.
"Handwritten draft of song beginning ""Ans an aimsir aoibinn aérach ó!"""
"Handwritten draft of song entitled ""Ansann Ó airbull Dhuibh"", index 72."
The Anstis-Eedy-Huston letters consists of materials based primarily on 7 letters, dated 1826-1838, sent to Robert Eedy (or Eady, later Eddy) in northern New Brunswick by his relatives, James Huston (or Hewston) and Wills and Lydia Anstis, impoverished Methodist cottagers, cotton weavers, and schoolmasters who lived in the vicinity of Bandon and Ballinadee, County Cork. The letters also include: an 1830 letter to Eedy from another Cork Methodist, Isaac Draper, who emigrated to New Brunswick and sought advice; Robert Eedy's business accounts, 1834-36 and 1840, in Bathurst, New Brunswick; and an 1877 letter by William Eedy, Sr., which provides historical and genealogical data about the family.
Per Professor Kerby A. Miller: 'The 1826-38 letters of James Huston and Wills and Lydia Anstis reflect the eagerness to emigrate among southern Irish Protestants, of middle- and lower-class status, who felt increasingly alienated from and endangered in Ireland for two principal reasons: first, by their increasing impoverishment, caused in part by the collapse of southern cotton manufacturing, of which Bandon had been a principal centre; and, second, by resurgent Catholic nationalism as in Daniel O'Connell's successful campaign for Catholic Emancipation of the late 1820s (a major topic in the letters), and by the so-called Tithe War and Whig reform administrations of the 1830s. Their religious and ideological response was enthusiasm for the ""New Reformation,"" an evangelical crusade (inspired and funded by wealthy Irish and British evangelicals), designed broadly to counter the influences of the French Revolution and specifically to convert Irish Catholics to Protestantism. It was spearheaded by Dublin-based organizations such as the Society for the Suppression of Vice, which temporarily employed James Huston in one of its local schools.'