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Photocopy of the play script for Key Largo by Maxwell Anderson.

Photocopy of the Dialogue Script for Key Largo , screenplay by Richard Brooks and John Huston, based on the novel by Maxwell Anderson. Copyrighted to Warner Bros. Pictures Ltd.

This section consists of screenplays either directed or written by John Huston.

A copy of the translation is available in Box 179 of the Felix Guggenheim Papers in the Feuchtwanger Memorial Library,

Screenplay of De Moscou a Tahiti via Shanghai by Mr. Waxmouth, which John Huston was seeking to have translated from the original French by Mr. J.C. Lapp [ in French ].

Freud: The Secret Passion, also known as Freud, is a 1962 American biographical film drama based on the life of Austrian psychoanalyst Sigmund Freud, directed by John Huston. Montgomery Clift stars as Freud. The film was entered into the 13th Berlin International Film Festival. Asked in 1958 to write the script by the director John Huston, Jean Paul Sartre wrote the first synopsis of some 95 typed pages. Huston accepted this, and Sartre went to work on a shooting script. Like the synopsis, it was too long. Sartre was asked to chop this first version, which he did. The result was that the revamped version was longer still. In any case, Sartre and Huston could not get along, so the French philosopher asked for his name to be removed from the credits. However, the film Freud still shows faint signs of Sartre's work on the script.

Typescript of the original long script for Freud by Jean-Paul Sartre (with some manuscript corrections by John Huston).

The Misfits is a 1961 American drama film written by Arthur Miller, directed by John Huston, and starring Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, and Eli Wallach. It was the final film appearance for both Gable and Monroe. It was not a commercial success at the time of its release, but it garnered critical respect for its script and performances.

Photocopy of the storyboard for the horse-trapping sequence in The Misfits , drawn by Stephen Grimes.

Bullet Park is a 1969 novel by American Novelist John Cheever about an earnest yet pensive father Eliot Nailles and his troubled son Tony, and their predestined fate with a psychotic man Hammer, who moves to Bullet Park to sacrifice one of them. The book deals with the failure of the American dream, spoken in a fable-like tone, in similar vein with Richard Yates' Revolutionary Road and The Great Gatsby.