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Black and white photographs from the Druid Theatre production of "There are Tragedies and Tragedies" by George Fitzmaurice and directed by Moya McHugh. Photographs by amelia Stein. Those pictured include Brendan Conroy, Michael O'Sullivan, Jenni Ledwell and Marina Ni Dhubhain. Contact sheets contain multiple thumbnail images.

Black and white photographs including headshot of cast members in costume, such as Marie Mullen, Michael O'Sullivan and Maryann McGrath. Also includes contact sheets of multiple images taken during rehearsal of the play. Produced as part of Summer Season of Anglo-Irish Theatre 1977, Fo’Castle Galway.

Information and articles on theological and ideological approaches to human rights. Part of LLM undertaken by Maurice Hayes.

File relating to a 'Friends' scheme of supporters and subscribers run by The Theatreworks, includes info on Friends scheme, also audience feedback survey from production of Anna Karenina.

File includes conference booklet with biographical details of conference speakers; list of those attending; conference flyers and some associated items.

Play scripts used by Genevieve Lyons, some with her personal notes and annotation.

File with theatre reviews and other articles on theatre by Carolyn Swift. NOTE: See other file series such as 'Sunday Miscellany' writings for RTÉ Radio by Swift which are on theatre in Ireland.

File 1 contains 'Review of Joe Dowling's Production of Juno and the Paycock by Sean O'Casey, Gate Theatre, Dublin, 15 July 1986", with attached letter from Swift to the editor of Theatre Ireland Magazine (Jan 1987); typed article entitled "Thai Dancing - And the Bunratty and Siamsa of Thailand", with letter from Swift to Fergus Linehan, discussing publication of the article (18 Jun 1979); Interview by Swift with playwright Alan Ayckbourn - 'A Trip To Scarborough' with letter from Swift to Jennifer Jones (20 Jun 1985); Draft edited article by Swift, being a feature and interview with actress Marie Keane, submitted to Theatre Ireland magazine (16 Nov 1984); text of review article by Swift 'No Noh but Plenty of Chinese Opera2.
Also letters from Swift to William Como, Editor, Dance Magazine, New York (1984); Letter from Swift to Lynda Henderson, Editor, Theatre Ireland Magazine, to submit a review (not included) of play "The Lady of Camellias" (15 June 1984); Reply Slip from Theatre Ireland magazine to Swift - "A lovely piece on the ballet' from Seamus Hosey.
Print copy of "Irish Theatre Journal", Spring 1998, Vol. 1, No. 2, with interview with Swift by Sean Hare discussing Samuel Beckett.
Text of programme article for the Gate Theatre by Carolyn Swift about the author of play, 'Semi Private' (Mary Halpin). 1982.

File 2 includes print copies of 'Theatre Ireland' Magazine: No. 7 (1984) with article by Carolyn Swift "Lady of the Camellias" about the Irish National Ballet; Issue 8, Winter 1984 with interview by Carolyn Swift with Marie Keane; double issue 9 and 10, Spring/Summer 1985.

Invitation to Carolyn Swift to attend production of The Risen People (1987) and a programme from Cock-A-Doodle-Dandy by Seán O'Casey, performed at Mountjoy Prison. 1989.

File of assorted Theatre Programmes/Magazines/Posters, including printed programme for 'Breathing Space', a devised play scripted by Ken Bourke and produced by Gallowglass Theatre Company and Theatre West Glamorgan, Wales, (lighting design by Aedín Cosgrove); printed poster for "Negative Act" (the first production by Quinn and Cosgrove) at the Samuel Beckett Centre for Theatre and Drama Studies, Dublin (Apr 2-4 1991); printed programme for "Liars: A Dark Comedy" by Elliot Meyers at the Producers Club Theatre, New York (early 90s); Poster/programme for "Dolores" by Darina Mac Anna, Players Theatre, Trinity College Dublin and part of the Dublin Theatre Festival (lighting by Cosgrove - Oct 1992); printed programme from devised play "Rave to Real or The Little Box" from Corcadorca Theatre Company, presented by VECSI, France, March 1993 (Cosgrove was Production Manager, directed by Pat Kiernan); Printed flyer/programme from "Leonce and Lena" by Georg Buchner and presented by Corcadorca Theatre Company, directed by Pat Kiernan (lighting design by Cosgrove, Granary Theatre, Cork, May 1991); Printed programme from Open House Theatre Project, directed by Andy Hinds, with three plays, lighting design by Cosgrove.

Printed programme for "We Have Your Little Man" devised by Corcadorca Theatre Company and staged at the Triskel Arts Centre, Cork, directed by Pat Kiernan and lighting design by Cosgrove (June [1992/1993]); Printed programme for "Chrysalis" a new play by Sylvia Cullen, staged by Wild Geese Productions in association with Triskel Arts Centre, Cork (Nov 1992, lighting design by Cosgrove, directed by Terence White); Printed programme form production of "Snow White and the Yellow Packs" by Karen Egan, directed by Terence White, lighting design by Cosgrove, produced by Uppercrust Theatre Company (Uppercrust was co-founded by Julie Sharkey and [ ] as a professional theatre company based in Carlow town - this show produced at Bridewell Lane Theatre, Tullow, Co. Carlow); overview of play "Blackwater", working title, by Sylvia Cullen. Printed booklet from the feast of St. Patrick mass at the Church of St. Pancras, Ipswich, with work for organ by Donnacha Dennehy (2000). Printed programme/flyer for "CITY" instillation by Pan Pan in Dublin, 1995.
Printed programme from Opéra National de Paris production of opera "Owen Wingrave", with lighting design by Aedín Cosgrove (2017).

Printed company overview document for "Wild Geese Theatre Company", a new Franco-Irish Theatre Company, founded in Cork in 1991, outlining its intent to "make an impact on European theatre" and to "embrace a European perspective". Sylvia Cullen is named as founding Artistic Director with Aedín Cosgrove as founding member. Company policy, funding and future projects are detailed. Printed flyer for "Crows Calling" by Sylvia Cullen, produced by Wild Geese Productions, Cork at the Firkin Crane Theatre.

Theatre programmes and flyers from theatre productions in Dublin from the 1950s - 1970s, with venues such as the Gate Theatre, the Olympia Theatre and companies such as Gemini Productions and the Globe Theatre.